Breksta, Night Dream Goddess of Twilight, Dusk, Dawn. The Veil Rider.

brek


By Phoenix at Elder Mountain – All ancient Night (sky) Goddesses hold the memories and magic of woman’s root of culture in the dreaming cultures, the ancient cave dreaming, astral flight, dream walking and Brėkšta, the Lithuanian Goddess is no different. 
Brėkšta or Brekszta can be derived from brėkšti meaning “it is the dawning; the dusk which is falling” making her a goddess of twilight, of the veils in-between.

Lithuania, Latvia & the Prussian Brėkšta, Brekszta, Breksta is a Goddess of the Night, a ruler over Dreams, Dreamers, Dream Prophecy and the protecting of her dreamers from dusk until dawn. She who Keeps Watch over the World from sunset to sunrise. In her stillness, just before Dawn, the Goddess Breksta also is among the Fog and Twilight, when grand or spirit dreams are present. Her echoes of prehistory, before grandfathers world came, was our connection to mother earth, by her stirrings of our wandering Soul. She keeps us safe from harm if we pray to her and honor her in ritual.

Breksta was first recorded by Polish historian and theologian Jan Łasicki in his treatise on idolatry “De diis Samagitarum caeterorumque Sarmatarum et falsorum Christianorum”, written in 1582.Polish historian Theodor Narbutt referred to her as Brekszta in his work “Dzieje starożytne narodu litewskiego”, written between 1835. Both Łasicki and Narbutt mention this Goddess by very similar names, her functions are basically the same:

Breksta is a Goddess of Twilight, opening of the doorways and that her name might in fact be the Goddess Vakare (Vakarine). In Narbutt’s perspective, she is a Goddess of the Night (darkness) and of dreaming or dreamers.

Since neither Łasicki nor Narbutt were intimately familiar with Lithuanian culture or it’s language, it was most likely from an earlier oral tradition in which they were given and then recorded it in a written form. The name Vakarė is derived from Lithuanian vakaras which means “evening and night” and is the Goddess Vakarinė, an older indigenous culture of the Balkan and Slavic woman’s traditions.

As a sacred artist, I wrote a poem to the beloved Brėkšta, in the dreaming soul rites…

Brėkšta

Flying away from the world as it was
I see the twilight’s dreaming aglow.
She leads me to the River’s forest
and I see there, my reflection upon
the moon’s light.

Where had she come from and where
has she gone? “Nowhere” I said,
when I woke at dawn. 
She in neither human,
nor night itself, but are my ancestors
memories of an 
in-between’s magical flight.

I float across her fields and hear the whisperer
of her nightly stillness, where I remember her
from long ago. She awakens me in the 
morning’s
light when I am still dreaming.

Wake me up into the “other” morning’s night
Breksta and I ask that you open the gate.

I have been honoring many goddesses in my actions and ceremonies over the years, in women’s circles, then new moon circles, then my shaman’s circles where I led others into flight, and dreaming circles. Breksta is one of my most beloved. My first ritual for community, was the Goddesses  of Justice. I did ceremony in front of the Court House by myself each night (in night goddess fashion) and learned very much about working with the Goddess in public and how to go inward and connect with the power of energy.

Jaro Napovez by Miroslav Florian 1986

Then next major Goddess I worked with was Bixia Juan Yun of the Colored Cloud Dawn, another night goddess who is a traditional Chinese Goddess. She had a more mystical nature of experiences I was having at that time and why I chose her. These goddess rituals became even more important, mother earth became my focus.

As a devout dreamer, which is the oldest religion of earth,  Brėkšta and her other name is Vakarė are now a passion and devotion, more of a magical ceremony about the power of woman in circle, and the mirrors of nature in connection with sacred art, magic, dreaming and a more mystical earth. When I reached a relationship with mother earth and her showing me her magical powers of light and shadow it was then I did my first Brėkšta ritual.

I don’t do rituals too often, maybe once a year or once every three years, and I have always done my ceremonies alone up until 2016. I chose to do this, because true ancient goddess are too powerful to bring into my ceremonies where I am fully and consciously responsible. It wasn’t until my own initiations of deaths and rebirths were completed after 50 years, did I even want to do them with my apprentices or an intimate circle. The results are two powerful as night goddesses bring real chaos. If you do ceremony with night goddesses and they do not bring real chaos, then you have not yet been truly initiated by mother earth. And believe me, that is a good thing.

Brėkšta stands for woman’s prehistoric life, a symbolism, an element if you will, not human, nor animal, nor legend, she is our dreamer goddess, and when we dream, we enter her language, a language of the soul,  of image, of projection, of creative mirrors and through our emotional body we return to it when we need it, when nature and we, were one. In Lithuanian it reads ...

Brėkšta lietuvių mitologijoje – ankstyvo ryto aušros ir sutemų deivė.
Dawn Lithuanian mythology – early morning and dusk goddess.

Ji globojo nakties laiką nuo saulės laidos iki patekėjimo.
She who takes care of the Night (from sun set to just before sunrise.)

Pagal T. Narbutą deivė valdė sapnus, kuriais
pasinaudodama žmones įspėdavo apie būsimus įvykius.
Pagal T Narbutt, this Goddess ruled the realms of dreams and
dream-prophecy, allowing the people warning of upcoming events.

In her story, when she is complete with her night, she becomes the Fire Beast (the Goddess) Saule, the Sun, who rides on her clouds (chariot) being lead by the twin Horses. Saule is a weaver of the Sky (Daytime or Sun Goddess) and the Amber Divinity (deity). Amber is one of the most ancient fossilized tree resins, honored for its color and natural beauty since neolithic times beginning about 11,000 bce and ending between 4,500 and 2,000 bce and is still worn today in honor of Saule.

artusLike all prehistory Goddesses, they are our highest self as women in a more collective relationship with the self, or collective soul is a much better term. She is us, when we have mastered both our inner and outer life, our inner and outer shadow and karma healed. And our true light is never about our life or us, its about the collective and eradicating the darkness in our spiritual space and openly calling it out with that wrath and punishment from people or in a collective way with our many spiritual gifts attained. 

This is the time when the Sun Goddesses begin rising again upon the earth and return to the consciousness of woman again, as we become dreamers and cave dwellers once again and live a reality of our dreaming. When we become a dreamer, we enter Breksta’s magical and mystery. Saule and Breksta can never really be separated as goddesses (woman), just like Marzanna and Lada or the Spring Goddess can never be separated cannot not be separated from the other seasons.

They are one, they operate together as the entire year, the Spring and Summer are called Fire Moons and the Autumn and Winter is called the Night Moons. These are the yin and yang or inner and outer aspects of our self as women.

 

Eesti Rahvakunsti ja Käsitöö Liit Estonian Folk Art and Handicraft Association

As a dreamer and ancestral wind whispering which I offer as my gift, I have honored the goddess for all women who do not remember, who are not allowed to know and who are not putting them into rituals and circles. The day and night of Saule and Breksta or Vakarine of Lithuania, Saule is named for Balta Saulite (“Darling White Sun”) and she is worshiped in songs and ritual that celebrated her nurturing of earth’s life, for she is our Great Mother, called various names like Saulite Mat the “Little Sun-Mother” and Saulite Sudrabota “Little Silver Sun”.

When humanity began to enter the agricultural ages, Saule took more importance than Brėkšta and she began to wane even more with the rising of the Sun Cults (pagans and christian religious men) who took over Brėkšta’s Thunder, Storms and Lightning and Saule’s Sun.

 

fire souleSources – Photos of the blue starry night by Mindaugas Riauka, and Goddess Stone Idol with Child, Lithuania, Night Goddess Illustration by Czech artist Artuš Scheiner for Romance About The Faithful Friendship Of Amis And Amil  Some sources from Wiki and musings around the www.

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