I am picking Mullein this week nearing the New Moon and Summer Solstice, and drying it to make some tea for my detox purification that I am doing for three months. I have never had sinus until the US Air Force started spraying (chemtrails) about 8 years ago pretty heavily. When they spray I do get some sinus blockage, and it seems Mullein breaks it up and of course that is good for my body. I have a Tea Recipe, Spray for those with (asthma) and general information I found around the web…
The large flowering stems of Mullein were dried by the ancient cultures and dipped in tallow, and then used as a lamp wick or for a torch. These torches were said to ward off evil spirits and witches, although witches had these in their herbal gardens and were not the bad guys. For those interested in a ‘tallow’ recipe, I put the link at the bottom.
The name mullein comes from the Latin word mollis, meaning soft, referring to the plant’s woolly stem and leaves. A couple of folk names for mullein have more intriguing associations. “Candlewick plant” refers to the old practice of using the dried down of mullein leaves and stems to make lamp wicks. Mullein stems were dipped in tallow to make torches either used by witches or used to repel them, hence the name “hag taper.” The custom of using mullein for torches dates back at least to Roman times.
Frazier writes in the Golden Bough that mullein was added to the bonfire on Midsummer’s eve celebrations to ward away evil. Some ancient magical grimoires have been found to list powdered mullein leaf as a substitute for graveyard dust when that was unavailable. “Jacob’s staff,” “Jupiter’s staff” and “Aaron’s rod” all have been used as names for the tall flower stalks. The plant’s soft leaves also are known commonly as “bunny’s ears” and “flannel leaf.
Mullein – Known as Verbascum thapsus, its Latin name, Mullein is considered beneficial for the lungs because it is an expectorant. This means that the herb helps the body remove excess mucus from lungs and soothes the mucus membranes with its emollient properties. Good for bronchitis, heavy coughing, chest colds and even asthma.
Mullein is a common all over but this plant is much more than a bit of roadside greenery, as it holds the cures for several common conditions within it its fuzzy, pale green leaves and yellow rosettes. Still used by Native Americans and Herbalists because of its proven, beneficial effects on the respiratory system. Curing common ailments such as coughing, lung weakness, respiratory constriction and chest colds, the mullein plant is truly a lung healing herb.
Both leaves and the flowers of the plant contain saponins, a natural detergents which make a cough more productive in releasing and expelling phlegm from the walls of the lings, and mucilage, a gelatinous substance which soothes any irritated membrane.
Dried mullein leaves, flowers and roots can all be used to heal these lung abating conditions. A mullein tea is the most common method of preparing the herb and the recipe below makes one cup of tea, which can be consumed up to 3 times a day. Gargling the tea once it has cooled down is also very effective for coughing and soreness of the throat.
Also, Mullein extract infused with olive oil has been used to reduce the inflammation of earaches, sore joints, insect bites and hemorrhoids because of its soothing properties. Simple poultices made out of fresh, mashed mullein leaves and flowers mixed with water can also be used to relieve, burns, boils and sores.
1 ½ cups boiling water
1-2 teaspoons dried mullein
leaves and/or flowers (flowers make
a sweeter tea)
1 teaspoon dried spearmint
(optional for flavor)
1-2 teaspoons honey (optional)
Steep the mullein leaves in hot water inside a tea ball or strainer for 15 minutes. If the flavor of mullein doesn’t agree with you, add some honey a spearmint or lemon mint.
For those with asthma, make an inhalant. To do this, boil the leaves in water for 5 minutes and inhale the steam to relieve coughs, congestion and asthma. Mullein can fight asthma and keep away colds because it actually prevents infections from settling into the delicate respiratory tissue by curing dryness and constriction. Rather ironically, mullein can also be smoked, thus rendering itself the only type of cigarette that could be considered beneficial in treating lung conditions.
Mullein is primarily a respiratory herb, although its benefits reach much further than our lungs. The herb is a diuretic and thus can relieve urinary tract inflammation when taken through a tea. It can also be used to decrease inflammation in the bowels, helping to reduce colitis and other issues.
Source: Mullin information from http://www.motherearthliving.com and http://www.organicauthority.com and Tallow is at: http://www.paleoplan.com/2011/12-02/make-your-own-tallow/
All Slavic traditions and folk traditions include flowers especially during Kupala and Noc Kupala, but Ukraine exceeds them all in the abundant uses of flowers and symbolic flowers. The Ukrainian Wreath Vinok (вінок) is a crown made of wild flowers and herbs which is collected in the traditional ways.
There are different types of wreaths: a wedding wreath, a wreaths of love, monastic wreath, wreath of hope, wreath of devotion and kupala wreaths. The wreath of love was not only for marriage ceremonies but also divorce ceremonies. In Ukrainian culture the wreath was traditionally worn worn by maidens (unmarried) as a pagan tradition.
In the more prominent neopaganism groups today during Kupala, more and more wreaths are returning back before religious influences and are worn by women of all ages. The wreath dates back to the old East Slavic customs that predates Christianization of Rus which still remains a valued part of Ukrainian national creative attire, worn on festive occasions and on holy days.
Flowers are a part of all their celebrations, traditional folklore, craft embroidery, women and their ceremonies, and even painted interior and exterior home decorations. They mark the seasons of Spring, Summer, Autumn and Winter. The pagans honor Lada and her daughter Lely and the wreaths are in their honor. Midsummer is the time to gather flowers and herbs to not only make wreaths but for healing herbs and for prosperity.
Some of the most common are the crown for summer solstice called Kupala and are made with cornflower, marigold, saffron, parsley, parsnip, Corollas mint, lovage, marjoram, cornflower and sage, which are all protections against shadows.
In the full traditional Ukrainian wreaths, there should be 12 flowers: Wormwood, immortal, lynx, cornflower, chamomile, cherry blossom, apple, gooseberries, mallow, peonies, cornflower and baptismal bells. Wormwood is a symbol of inertia and immortal, a symbol of the immortality of the human soul. The cherry blossoms are a symbol of maternal love.
The wreath varies in many of the regions as young women throughout the country wore various headdresses made with yarn, ribbon, coins, feathers and grasses, but these all had the same symbolic meaning. In parts of central and eastern Ukraine, the flowers were raised in the center front and multicolored ribbons were attached to the back.
Custom weaved wreaths denote the seasons as the customs came to Ukraine from prehistoric times and garlands with flowers and herbs are one of the oldest Ukrainian symbols. In ancient Goddess images of women, she wore headdress of flowers, grasses, herbs and branches in her shamanic beginnings.
Putting your wreaths into water is to tell your future and personal guidance but putting a wreath in the Sea and it will tell the fortune of your soul. Setting wreaths on the water usually accompanies folk songs, because that was the first honoring of the first goddess.
Its more popular today to wear the casual versions of the vinok. It is not uncommon to see women in Kiev wearing a headband embellished with flowers during the summer as a fashion statement or Ukrainian pride. Additionally, the growing popularity of the vinok has contributed to the increase of vinok specialists, as well as the demand of local florists
Ukraine flowers , herbs, color of ribbon and their symbolic meanings…
Braided wreath – Symbol of prosperity and fertility.
Clover – Symbol of fidelity;
has the magical power to reconnect.
Elecampane – Root of nine forces,
strengthens and returns health.
Fern (Rozmai herb) – Attracts love.
Garlic – Protection, also weaved into
braids on the bride crown before the wedding.
Hatchets – Field grass is a symbol of healthy fields, cornfields and abundance.
Iris – Peace and vitality.
King-flower – Vastness.
Krinov (lily) – Magical symbol of the feminine because she is essentially moist energy. The ancient name of the flower Krinov means “well” as it treats heart ailments.
Kalina (raspberry, rose) – Three sisters, acrimony as a form of magical contact, when there is a prick of blood. Overcoming obstacles, after which comes the miracle and magical dream as the likeness of eternity.
Loboda – Symbol of misery and poverty.
Lyubka – a symbol of beauty and youth doable.
Lovage – Love, harmony. Bathe in lovage.
Lions (sunflower) – Symbol of fertility, growth and fruiting, and, hence, yield.
Marigold – Mans beauty.
Narcissus – Protects ones health.
Nechuy-wind – Boundaries
Oregano – Symbol of maternal
love and care of children.
Pansies – Symbol of love of family.
Parsley (wormwood) – Spring
Pauline – Bitterness of life, is protection against shadows.
Peppermint – Guardian of children and their health.
Peonies – Flowering of maturity.
Poppies (red)- Beauty, purity and magical forces of protection.
Rozsa (Rose) – Symbol of goodwill, prosperity, and swarming bees.
Red mug – Beauty and cleanliness.
Roman Herb Forest (chamomile) – Love.
Rouget (Rose hips, mallow, rue) – Glory.
Ruta – Sadness and a bitter life.
Vasylko (marigolds) – Ceremonies.
Violets – Joy.
Voloshky (blue cornflower) – Symbol of beauty and goodness, modesty and tenderness.
White Lilac – Family life.
Wreath of Roses -Symbol of health
Colors of Ribbons
A wreath of flowers and ribbons protects she who wears that halo on her head, it has a magic. Our grandmothers knew and still know this magic well, lot of different secrets of when and how to weave a wreath passed down from her grandmother.
Colorful Wreaths of Magic which is the union of Mother Earth with the Spirit Sky (Sun) as the divine marriage of the powerful belief of immortality – the way of Love. A corolla of intertwined ribbons of different colors, each have meaning:
Light brown: Mother Earth
Yellow: Sun, Blue: Water
Orange: Bread, Purple: Wisdom
On the left side of the white ribbon is gold thread as the sun, and on the right, silver, as the moon (month).
Red Colors (ribbons and mug, carnation, rowan, viburnum) – Divination and charms, blood and fire. On the one hand it symbolizes beauty, joy and love of life, the other, vengefulness and destruction. Red is used for charms, tends to counteract evil spell.
Popular color in Pysanky eggs and also using red thread, beads and flowers in divination embroidery. The best way to protect children from evil spirits and evil souls in dreams, is to tie the hands of a child something red.
Green – Spring, beauty of nature, transformation, envy.
Purple & Green – Wisdom and caution.
Red & Blue – Fidelity and love.
White & red – Reward and respect.
White (ribbons and flowers) – Purity, innocence, joy. White is associated with daylight and life. Our ancestors believed in the relationship with the divine worlds. White robes are worn women in circles and by ancient priests or magicians. During the first crop of our ancestors wore a clean white shirt. White is also associated with death. Our parents, grandparents deceased wore white clothes and covered with a white shroud. White robes and ghosts are dead people.
Black – Night, Powerful Ancient moon women. Yellow – Sun, gold. In ancient times perceived as sunlight. Blue – Water, eternity. It unearthly secrets of the world. Symbolizes honesty, good reputation and loyalty. In mermaids cold and recalls the shade.
By Phoenix of Elder Mountain, Edited by Sarah Burnt Stone – Many teachings speak of the World Tree or what is referred to as the “Tree of Life” in Paganism, New Age Spirituality, the Kabbalah and a few others. As a Dreamer I live within the realms of the “World River” connected to the Golden Baba: The River and its wisdom that flows from the Sacred Mountains and that relationship to our soul.
The World River is nature’s mysticism of water and a symbol of our own soul in the form of clouds, moisture, fertility, rain, fog, lightening, thunder and the hovering fog of mystery which is the mysticism of our feminine soul. These were the ways pre-history and some of it remains, at least in folk art of our Slavic and Balkan ancestors. I am the descendant of these great mysteries of the elements. From this feminine root of humanity, comes the older stories of the gentle men. Wołogór is a Polish folklore and legend which is a Mountain Spirit from the Karkonosze Mountains and is from a time before history.
This article is about the legend and lore of Wołogór the Dreamer of Ox Mountain. What impresses me most about this legend and folklore is Wołogór, who is strongly connected with the world symbolism of the bull, is not associated with any men’s hunting rites nor the killing of the bull. Nor is it reflected in the ancient representations of overpowering nature with the masculine. Wologor’s story is about peaceful, soul-full men.
Wołogór’s exit from the Slavic lands (when humanity fell asleep) contain a great deal of gentleness and respect. The gentleness that characterizes everything about this tradition shows us he is an oral connection to the matriarchal cultural lineages of pre-history’s Grandmother Shamanism. Many people try to claim and hold onto a specific cultural story but I do not because Wologor is like other Oxen and Bull cultural stories around the world.
Legends about the Mountain Spirits of Karkonosze are mostly from the written accounts of the Middle Ages and were recorded historical folklore from previous oral traditions, but some of them have an older shamanic culture feel, in which they were born:
Krakonoš (Wind Spirit and later a Dwarf who is a Guardian Spirit of the Mountains). This is a Czech Republic folklore, and described as ruler of the winds which makes it shamanic, and a daemon spirit who punishes indiscriminately, making it a pagan lore. In later depictions he was a righteous champion of the poor, shown more as a dwarf and capable of transforming to any creature or object, making him a magical being. He too, like the others is a guardian of the mountains and protector of the people. He has connections to both paganism and shamanism because he can shape shift and shape shift into storms (weather or elements). The first illustrations comes from the Krakonoše, Helwigovy maps of Silesia from 1561. (Wiki).
Rübezahl (Mountain Spirit) is a German folktale and he is also called Woodwose who lives in the Krkonose Mountains (Giant Mountains), a mountain range along the border between the historical lands of Bohemia and Silesia. The Woodwose is a wild man of the forests and woods, a mythical figure comparable to a Faun or a Wildman. He doesn’t really have much in common with Wologor and is strictly pagan. He derives from the 12th century (in written languages) and depicted as being covered with hair all over his body. He is closer associated with Green Man after the 16th Century. (Wiki).
Liczyrzepa (Mountain Spirit) is a Polish folklore who was originally a personification of the forces of nature, associated with the culture of Swantewit. This Mountain Spirit was later called “Lord John” (Dominus Johannes) a resulted from the introductions of the cult of St. John the Baptist and the existing pagans. The Polish name Liczyrzepa is a direct translation of the German name Rübezahl, introduced by Stanisław Bełza in 1898. It became widespread in Poland after 1945, when Józef Sykulski started to translate tales of Rübezahl from German into Polish. In one Silesian folktale, he is called “Prince of the Gnomes” from a legend dating back to the Middle Ages. In early pagan summer solstice rites, he resembled a Deer standing on its hind legs. (Wiki).
Wołogór is a Polish folklore and legend which is a Mountain Spirit from the Karkonosze Mountains who in its animistic and shamanic past was a guardian to both the mountains and the inhabitants of the mountains of that region. He has a definable shamanic past because his appearance of an ox and the body of a man. He wears his natural clothing and carries a magical staff and the most important, one who dreams and experiences love. According to Lamus Dworsky, Wołogór in the Polish tradition, was said to have been given the task of guarding the small region near Wołowa Góra (which translates to Ox mountain) and reporting the condition of the area to the Great Mountain Spirit.
It is in this context that Wołogór is most vividly depicted as having an ox head and carrying a decorated staff that endows him with magical powers. Peasants would say that this spirit ensured everything was in working order and the people living nearby were safe and showed respect to nature. Sometimes he was known for assisting the locals or showing the way to lost visitors. He appears in only the local villagers’ dreams to let them know he is there to help.
The people of Budniki, Poland who do their Wołogór celebrations call them, the Welcoming the Sun and Farewell to the Sun which makes them an Autumn and Spring Equinox ritual. Because rituals have lost their original real “rites”, what we have left today is more a gathering to honor something of our past, which includes food, music, dancing or gatherings. The very earliest of humans who lived in Dreaming cultures without written languages, connects to the simplicity of Wołogór. As time went on, these dream cultures transformed into shamanic cultures which connects the simplicity of
Shamanic cultures transformed into Goddess cultures and Goddess cultures turned into Paganism. Paganism became Patriarchy and Patriarchy is the structure that underlies most present-day folklore, religions, political and philosophical paradigms.
As eras of time moved forward, cultural changes combined with the growing popularity of alcohol and drug myths (Dionysian Cults). This began to change mythology, especially in the way it depicted the sacred masculine. The increasing amount of tribal and spiritual leadership that was taken over by men who worshipped the proud warrior archetype (based on the Unconquered Sun God myths) further served to expand the gap between the style of old mythology and the new. As battles, politics, science and military became the new masculine, we saw we saw many myths lose the gentleness that can still be found in the roots of Wołogór’s folklore.
The most ancient of folklore always depicted a peaceful and magical earth, where men were helpers to women and children; where there were no warriors at all. We can see how some of the tales of Wołogór actually reflect the changing eras of world culture, particularly in the way sacred masculine love was transformed into depictions of the struggle of unrequited love and rejection.
Wołogór and his human love with a woman started as an act of seduction in her dreaming. However, she loved someone else and rejected Wołogór’s advances in her dreams. He decided to appear in her home in person.
He came with so much love that fire fell out of his heart which is symbolic for our spirit connected to nature (elements) and set her house on fire. Wołogór understood his mistakes of passion out of control, and he decided not to intervene in human lives again. The woman got married and had children and continued her life, rejecting the magical ancient earth and what it had contained.
This shows that both men and women had agreed that the old ways were not wanted anymore and that the dominance of the church and their urging women to have lots and lots of children and the binding of marriage in elaborate bride rituals without any spirituality of ancient female rituals, was the new men’s church fashion… in other words, control.
Wołogór saw that the people were changing in this way and that the sacred rivers that flowed from the spiritual mountains were not wanted anymore, in fact it became superstitious if anyone revealed the old ways as judgments were harsh. The people he had always protected and loved started to decline as they fell asleep in the great sleep of humanity. Wołogór’s magic (represented by his staff) slowly began to lose its magic. It was time for him to retreat back into the dreaming, because there’s no one left for him who believed anymore.
It is said he went up a spring called Malina near some waterfalls, and there he pushed his staff and his right foot against a huge boulder leaving the shapes in the stone. He was never seen in the dreams again, but locals believe he might return when they are in need.
The folklore of Wołogór is very strong in small mountain cultures where ancient oxen (bull) once roamed free and there are still many Polish folk traditions that include the Ox symbolically.
Kolęda, which is a practice of caroling at the winter solstice is a ritual that is still strongly associated with the Ox even today (and which sometimes has been substituted for a cow, but never a goat). During this time, villagers will walk around visiting homes with someone dressed as an ox and carry elaborate Christmas Stars. (See article on Elder Mountain called the “Midnight Sun”, the Koliada Star).
Some cultures have replaced the older ox with the new pagan goat in ritual and folk stories (a substitution that comes from more recent Dionysus/goat cult inspired traditions, even the Slavic peoples). The ox is the more archaic version of the animal associated with this ritual and is the indigenous Slavic animal associated with the rites of fertility. Legends like Wołogór and the Mountain Spirit of Karkonosze help us reclaim what was forgotten during the changing of cultural rituals and awaken to where we fell asleep due to religious forbidding rites connected with these dream cultural experiences.
For dreamers and old souls, times are changing for the better and we can now accept the possibility of our return so dominated by scholars, universities, archaeologist, authors or book writers who have brought limitation of what our ancient past was. We return to these rituals and these ancient ways without persecution and begin to live the rituals, perform them not as carnival or festival, but small ancient sacred ceremonies in which they were, and include the leadership of grandmothers.
This Hutsul (Ukraine) folk jacket has a near identical Wologor symbol.
A poem about Wologor on Wołowa Mountain …
You may think I was dreaming,
But in this wasteland, life sparks,
Not only thickets and conifers,
but deer, birds or other animals.
Rocks falling from the slopes
or mountain rushing streams,
Footprints of a stray wanderer’s shoes …
No, more real life!
Some time ago, several centuries,
You can hear the children here
Absorbed in care free fun
Yes, there were children here
so you already know yourself.
Where the children, there parents and family,
homesteads, houses and chimneys
Smoking; In a word: a real settlement,
Yes, a village was here, it’s not overdone.
Village? How is it? Seriously?
A village – I say – listen carefully!
And it is not a fairy tale nor a legend
by the fire the righteous talk.
Well, it was during the great turmoil,
When the world was engrossed in
religious movements, when the defenders
of faith took their heads, they were
fighting and dying.
Not for God’s sake, but for mammon,
After all, when the mind is asleep,
the demons wake up …
So wise people sought refuge,
They ran in their legs, without
a moment’s respite.
When they reached this place,
they rested for a moment,
Do you run away, they probably thought?
And this place is charming, peaceful,
They realized that somehow they
would survive the war.
Thirty years have passed; The war ceased,
The village has grown here, the village has been here,
They could come back safely, as they knew,
They could come back, but somehow
they did not want to come back.
Here they found their happiness
Happiness must be guarded,
do not abandon it. It will grow and
Life will be sweet and calm.
And so it probably was, we guess,
And exactly how it was – we do not
know that anymore.
And we’ll never know for sure,
Because history usually does
not betray everything.
Feeding the imagination, leaving some myths,
Poets, artists, magicians and fortune tellers,
Dreamy hearts about a child’s mind …
The rest is silence; this is strictly confidential.
What are some old photos betraying,
Tales kept in the attic, in the closet
I’m afraid of history, sometimes dulled
Echoes of ancient legends from
the cave under the forest.
The name to find one is the hard work:
Forstlangwasser, Forstbauden or Forest Buddy,
Forest Clamps or Foresters’ Houses,
The definition of this place we have a few.
And lastly, as the chronicles say
It is commonly known today as Budniki.
With such a wealth of names – what to do?
Well here not to overdo it?
Each of us reads the secret differently.
Let anyone who arrives in this area,
depend on your heart and your understanding,
Let her name – best as she can …
What do you think you will say about yourself?
After all, the name is just a name, letters,
What matters more is our experience
our Dreams, imagination, not the word “life” …
But there are also signs of time, unfortunately,
Hearts are very different from the poet’s heart,
In a place like this they feel different,
Thoughts are cool – profits are calculated,
Everything they want to cash in, invest everywhere,
Capable to sell everything, straighten nature,
Even the sliced secret would cut,
Without regretting for a moment,
In Budniki and houses to rebuild,
And people sold tickets to them …
When what is priceless will be priced,
This whole spell is going up and everything is over.
It will not be then a magic place,
Become more popular, more touristy
And it will be quite different than it used to be,
And no one else will dream …
But luckily there will always be something for us,
Because the place is certainly older than the slaughter,
Who knows what was happening in the old days,
What kind of sleep in the surrounding woods.
That no one will examine and will not answer us,
Maybe the camps had wild Celts here?
Because the older they are, the darker the cards,
Unforgettable myths in the earliest of times.
I am neither a seer nor a scholar,
Maybe Wologor on Wołowa Mountain
He will echo through the hole in the cloud …
Enigmabudnik, the Enigmabudnik…
Wake up the secret; Let Budnik silence continue!
Because in the silence the Heart hear Izbica Spruce,
In the veins to feel the raspberry, in the eyes of a Spark …
Poem: Izbicki’s Bride (2015.9.29)
Other Ox, Oxen, Bull in Mythology, Folklore, Legends
Oxen in other legends – In many cultures, the symbolism of the Ox is interwoven with a story that connects a male and female character. One of the most famous stories is the Chinese myth of the Heavenly Weaving Maiden with the Ox herding boy. It is said that the Ox herding Boy and the Weaving Maiden must live separately their whole lives except for one day of the year when they can walk across a celestial bridge of Magpie birds to be together. This day is celebrated on 7th day of the 7th lunar month in many Asian countries and is their modern “Valentine’s Day” equivalent. This festival has been celebrated since the Han Dynasty (206 BCE). There are many stories online with older contexts than the modern Valentines Day stories.
Ox (Bull) in ancient cultures and its symbolism is also strongly featured in the Cretan myths. King Minos of Crete competed with his brothers to rule the land. Minos prayed to Poseidon, the Sea God, to send him a snow-white bull as a sign of support. He intended to kill the shamanistic woman’s era bull to show honour to the man’s human deity, but decided to keep it instead because of its beauty. He thought Poseidon would not care if he kept the white bull and sacrificed one of his own. To punish Minos, Poseidon made Pasiphaë, Minos’s wife, fall deeply in love with the Bull.
Pasiphaë had a craftsman (Daedalus) make a hollow wooden cow, and climbed inside it in order to mate with the white bull. Their offspring was the monstrous Minotaur. Pasiphaë nursed him, but he grew and became ferocious, being the unnatural offspring of a woman and a mythical ox. Minos sought advice from the Seers and Oracle at Delphi, who advised him to construct a gigantic labyrinth to hold the Minotaur. Its location was near Minos’ palace in Knossos.
The story of the Cretan Bull (which historically some scholars have suggested it as the strong female bull and its destruction of an earlier era) and the Maidens who danced upon her or him connecting their labyrinth of feminine fertility which is the connection between the solid earth and our physical life, relative to housing our Soul’s Dreaming, its Intuitive Oracular Gifts and the sight of the Seer of the ancient Body & Soul.
Budniki Forstbaude archaeological site archaeological excavations October 2014, Budniki Schronisko Forstbaude wykopaliska archeologiczne październik 2014: https://www.youtube.com/watch?v=6cee-HeJbuc
Note: The Golden Babas (grandmothers) article on Elder Mountain Dreaming: https://eldermountaindreaming.com/2016/11/08/stone-grandmother-каменные-баба-kamennaia-baba
Wonderful Sources: The Budniki, Poland people are the main source of a “living” ritual for all of us to enjoy Wologor, you can find them here: https://www.facebook.com/Budnikipl; Special thanks to Lamus Dworski and her scholarly (written folklore) approaches of her translations and researched version of Wologor, you can find her article of Wologor on her web page here:
Sources: https://lamusdworski.wordpress.com/2016/11/12/wologor; budniki.pl, karpacz.pl, karawaier.pl, Budniki Poland’s website: http://budniki.pl; Budniki Forstbaude archaeological site archaeological excavations October 2014 – Budniki Schronisko Forstbaude wykopaliska archeologiczne październik 2014; Gorlitz Museum Krakonoš (Rübezahl-Museum). Wiki, Vlastivědný Proceedings, Vol seventh Museum Podkrkonoší in Trutnov Trutnov, 1983, Photos and images included in this article are from the celebrations of the people who live in Budniki Poland; Baba and Bull Spring blessing of cattle in Poland; Karol Nienartowicz Polish Photographer of the Karkonosze, Gianni De Conno, Poèmes à la Lune, Polish Wiki, Various sources translated from Polish websites, Karkonosze (karkɔˈnɔʂɛ) National Park, Poland (Bohemia, 1518), Image of the large statue of the Bull in the Middle East of the Achaemenid period ca. 550 – 330 BCE.
Elder Mountain – If you are interested in learning more about the rites of a shaman, and the empowerment of our dreaming culture and how it can help be integrated into your emotional healing journey, solar, soul or moon work, or creative practices, we welcome artists, dreamers, healers, shaman apprentices (those under 50 years old) to learn and join into our community. We will be offering work-creatives, sacred retreats and ceremony on the equinoxes and solstices in Ashland, Oregon starting in the sparing of 2019. ElderMountainDreaming@gmail.com
Personal note: My sharing of cultural weaving with my shamanic fated life of experiences over the past sixty years, is to enlighten the heart and soul of the readers beyond knowledge, study, university or book knowledge of pagan, religious tales, myths and teachings. I encourage to spark your spirit and soul with a time before the rulership of pyramids and kingdoms. Those who visit here and those who come to Elder Mountain in person, I only have respect to your traditions and learnings, and to celebrate them with you from your cultural past. My first language and culture is dreaming, and the gifts of dreaming, dream walking, soul work, soul healing, time travel (astral travel) as a pure (non drug non plant) shaman. I am most certainly grateful for all writers and authors as they share the approaches of time shared folk knowledge, from older books, old articles or library and university resources. I am very grateful to my own Polish/Ukraine lands that were once indigenous in the Carpathians and were some clues still exist from the pre-tenth century, one in which Wologor himself belongs like myself. I share, regardless who the source is, be it Wologor himself or a writer, dancer, singer or gatherer of information who all sharing the same living or re-birthing journeys of the joys of cultural traditions through the arts. All are blessed because of it, including me.
The Kinesis Generation (Uranus/Neptune conjunction) who were born between 1988-1998 world wide, have some unique chemistry. Kinesis (biology), is a movement or activity of a cell or organism in response to stimulus. Telekenisis, Hydrokenisis, Aerokenisis, a movement of the physical, the wind and water through a persons biology/energy systems.
If you were born during these years, especially the peak of 1992-1993, start your practices now or tell your kids or grandchildren to start their practices now to get good at them, it will come in handy in their future.
This doesn’t mean they are Avatars (yet) it means they have only the possibility to heal their soul’s karma to attain all gifts back this lifetime through very intense hard work everyday for at least two decades. The mystery is never free, she always demands a price.
By Phoenix of Elder Mountain – Magical practice at the stroke of Midnight are symbolic practices and are the gifts of our ancient ancestors of the distant worlds and Romanian women have always kept these traditions alive. The older pagan cultures of the Slavic peoples celebrate the New Year on the Spring Equinox (and Ukraine still does). One such magical practice of the spring new year, which you could use at any equinox or solstice eve, is the tradition done the night before the Spring Equinox…
Goddess celebrations of Spring, in many cultures would last an entire week, from the 19th until the 23rd of March, because the energy of the Spring Equinox is at its strongest then. You can still do the rituals here, just make sure you set your intention clearly and simple…
At the end of the night light year in-between the old and the new year, at 12:00 midnight before the dawn turning into the Spring Equinox…. go and look at the night sky and count the new stars you see and what will be your destiny. You can also go in the house, put a ring of gold in a glass of water, place it in front of a candle and behind the candle a mirror. They say the one who looks in the mirror sees an opening of the door of their destiny.
Leave a small night light on or a candle in a lantern all night long when you go to sleep and dream, the gates are open to get luck as the old year leaves and the new returns the next morning on the Spring Equinox. They say, if your soul is clear, the opening of the door of the heavens will give you a glimpse.
Maramureș is a geographical, historical and ethno-cultural region in northern Romania and western Ukraine and these village people at midnight lean wood pieced against the home’s outside wall. Each piece of wood represents every soul in your house until morning and when you go outside in the morning to check on them, if any fell over, that’s considered a tough year for the person it was intended for.
Villagers also read the whole year’s weather with onions – cut an onion in half and set out 12 pieces of papers (one for each month of the year). Salt each of them in equal amounts. Set the onion in the center and circle the paper around the onion. Let them sit overnight and in the morning, depending on the amount of water collected, its said that the moisture or dryness of each paper represents the dry or wet months.
I imagine you can also do this with your moon ritual on the day of the spring equinox, if you want and set the intention of difficult moons (wet) and easy moons (dry) and then keep track of your moon cycles the entire year.
On the spring equinox morning ritual take a bath and wash yourself before sunrise. In the water put a silver penny, some basil and a branch of a tree and wash yourself for lucky year and blessings of abundance.
Enjoy and keep the Magic alive, Phoenix
Sources: Iulia Gorneanu, University of Bucharest; first photo a compilation photo including Romanian grandmothers called Baba Dochia and a selection of an image of one of Douglas Girard, figurative Landscape painter; Maramures, Romania Maiden; https://www.facebook.com/ElderMountainRetreats
This article is from http://www.encyclopediaofukraine.com with my additions, from my Shaman’s perspective and experiences – The Ukrainian Spring Equinox is one of the earth’s oldest ceremonies and it honors the ancestors as a ritual of the beginning of the new year Velykden, when the “Day” (Spring & Summer seasons were called Fire) overcomes the “Night” (Autumn & Winter seasons called Night). Vesnianky-hahilky is also known in Galicia as haïvky, iahilky, hahulky, halahilky, iaholoiky, maivky, and rohulky. Ritual folk songs sung by maidens in conjunction with ritual dances in ancient times on the Spring Equinox.
When religion came to the Slavs, the tradition of Mara (Polish Marzanna) lost its origin and thus the demonology books of churchmen forever changed the once pure spring rites and traditions. Mara then, is a female figure in Ukrainian and other corrupted Slavic folk demonology, who was believed to assume various forms—animal, plant, ghostly (older shamanic traditions), and inanimate or monstrous females to cause people harm. The name was occasionally used to refer to the devil or to a house demon known as a domovyk. But most shamans understand clearly, that woman’s shamanic traditions were corrupted and how the church rose in power and control.
Long ago these songs and dances were performed in the meadows, highlands, along the rivers, but in modern times they are danced and sung in village streets, churchyard and cemetery. Originally their purpose was to give thanks to the mysterious spirit and forces of mother earth (nature) to provide good relations in the shamanic cultures of women, later in pagan times they were to honor nature who would supply people food and a happy life.
The magical functions of the songs was eventually forgotten but in peoples hearts, even though the magical rites are not performed by the grandmothers and mothers, the maidens still perform the dances and songs. As more female Slavic shamans reawaken to their ancient medicines and rites before paganism the more the magic will return.
The vesnianky season in ancient times opened as a rule with a farewell to winter on the spring equinox, but once the churchmen got involved it took place on Candlemas or at the first sighting of migrating birds. A straw or wooden image of winter called Smert (Death), Mara (Specter), or Kostrub (Slob) was burned or drowned to the singing of vesnianky, and then spring, sometimes personified by a girl in a flower and herb wreath, was welcomed with ritual dances, such as Mosty ‘Bridges’ and Vorotar ‘Gatekeeper’. In prepagan times it would have been the Mothers, not maidens who welcomed spring and the grandmothers were the gatekeepers, always have been and always will be regardless of religions.
The dialogue, ‘O Beautiful Spring, what have you brought us?’ ‘I have brought you summer, a pink flower, winter wheat, and all sorts of fragrant things,’ was sung. In some localities bird-shaped bread was baked and tossed by children into the air to represent birds in flight. Many vesnianky were addressed to birds, groves and forests and trees and flowers, asking them to assist the coming of spring.
The oldest vesnianky are those associated with ritual portrayal of plant growth Mak ‘Poppy’, Proso ‘Millet’, Ohirochky ‘Cucumbers’, Khmil’ ‘Hops’, Khrin ‘Horseradish’, Hrushka ‘Pear’, L’on ‘Flax’) and the behavior of birds (Horobchyk ‘Sparrow’, Soloveiko ‘Nightingale’, Husky ‘Geese’, Kachky ‘Ducks’, Kachuryk ‘Drake’), animals (Vovk ‘Wolf’, Lysytsia ‘Fox’, Zaichyk ‘Bunny’), domestic animals (Baran ‘Ram’, Kozel ‘Goat’), and insects (Zhuk ‘Beetle’).
The simple but moving melodies have a deep rhythmic structure punctuated with frequent exclamations. Ryndzivky, a form of vesnianky, were sung at Easter by young men in the Yavoriv area in Galicia. In Soviet times, the vesnianky began to disappear after the Revolution of 1917 and all original folk traditions that were passed down by village grandmothers for thousands of years by oral traditions, were completely gone by the end of the regimes of the Nazis and the Soviets including the Genocide of Famine to starve the Ukraine people to death in 1932-33.
Source: Mykola Muchynka is still alive and in 1988 Czechoslovak television filmed Lety mii vinochku (Fly, My Wreath), with screenplay by Mykola Mushynka, based on the Ukrainian vesnianky of the Presov Region of Ukraine. He was born the 20th of February 1936 in Kuriv, Bardejov and is a Ukrainian folklorist. After graduating from Prague University (1959) he completed his graduate studies at Kyiv University and again in Prague in 1967. He worked in the department of Ukrainian studies at the Presov campus of Kosice University (1966–71) and founded and edited Naukovyi zbirnyk Muzeiu ukraïns’koï kul’tury u Svydnyku (1965–70) for the Svydnyk Museum of Ukrainian Culture.
Because of his contacts with Ukrainian dissidents and Ukrainian émigrés he was expelled from his job and forbidden to publish. He was not reinstated in a research position until 1990. He has written over 300 studies, articles, and reviews, mainly on folklore and the culture of Ukrainians in Czechoslovakia. He compiled two anthologies of Ukrainian folklore in Eastern Slovakia (1963 and 1967) and a collection of Folk Songs sung by A. Yabur (1970). Besides a study of the folklore of the Ruthenians of Vojvodina (1976) and biographies of Orest Zilynsky (1983) and Stepan Klochurak (1995).
In Ukraine today most songs and dances are performed by professional and amateur ensembles, but to return the magic, the prehistory ways, the shamanic traditions of Ukraine can be returned by those of true female shaman paths of our birth rite initiations, lead by women in great circles again. Much of this tradition is celebrated in modern times as Kupala at the Summer Solstice which is much more popular for the main stream.