Doris of Greek mythology is an Oceanid, her name represents the bounty of the sea as she is a daughter of Oceanus and Tethys. Doris was mother to the fifty ‘Nereids’ including Thetis, who is was mother of Achilles and Amphitrite. The ‘Sea Nymphs’ are the three thousand daughters of the Titans Oceanus and Tethys, and each are a spirit guardian of a particular Spring, Pond, Lake, River, Sea, Rain and Clouds.
Nymphs and Nereids are not human, they are spirit guardians of nature. Through the journey of humankind over thousands of years, they have been portrait by artists as young maidens. But its wise to remember that they are spirit guardians of water, especially if you are fond of doing ceremony with water. Doris when not associated with a god, is considered the fertility of the ocean, of the rich fishing-grounds found at the mouths of any rivers where fresh water mingled with the brine of the ocean.
Being an Oceanid meant she is the Spirit Guardian where the Ocean and River meet.
Her name is derived from two words: Dôron meaning the “gift” or “abundance”
Zôros meaning the “pure” and “unmixed”
Zôros was often used to describe fresh water in terms of the pure soul of a woman (enlightened in todays terms), and from this derived words such as zôrua “the transference of flowing water” or the purification processes of the living source (within) and zôrux “water conduit” which meant the connection to the source.
The Sea Nymph Okyrhoe “swift running and fast flowing”
Okyrhoe’s father was Chiron, wisest of the Horse clan (Centaurs) and her mother was the water nymph Chariklo. Okyrhoe main gift of healing and prophecy, both waking and dreaming. In one of the myths, Chiron was entrusted by Apollo to care for a baby named Aesculapiu and so he brought the child to his cave. Okyrhoe came out to greet him, and upon seeing the child burst forth into his prophecy:
“Grow strong, dear boy, healer of all the world. Often to you, Men shall owe health and life, and yours shall be the rites of the departed souls. And, though you dare this once in heaven’s despite, Jove’s bolt will thwart that gift a second time. You, now divine, shall be a lifeless corpse, and from a corpse become divine again, and twice born, you shall renew your destiny and fate.”
In this, she predicted that the baby would grow up to be one of the greatest healers able to bring the dead back to life (the dead karmic soul aspects) or what is termed transformational healing today, death and rebirth medicines. But in doing this, he would eventually anger the gods, who would strike him down and yet even within that, the Fates who were stronger than any God, would bring him back to life, and thus he would be reborn.
Okyrhoe was a Prophet, but the ruling men of the day had used maidens gifts for their own advancement in the building of their kingdoms and were punished if it didn’t serve these ruling classes. If she broke the rules, she suffered for it. One day, she predicted that her father, would be granted death by the other gods because the pain of a serpent’s venom would torment his soul (in order to heal it). But she only was able to speak part of the prophecy:
“And from her deepest heart sighed, and tears ran down her cheeks; she said: “The Fates halted my speech. I am allowed to say no more. What good was there in having learned this art, if now it only draws the wrath of men against me? Would I not be better off without the power to predict the course of days to come? I can already sense that they are stripping all my human semblance.” (Ovid’s Metamorphoses of woman’s story of their corruption by the new clans of pagan and religious men). She was a maiden, she was not an adult woman nor a grandmother, so she could not protect nor defend herself from the abuse.
Its wise to remember when working with mythology of the Goddess, that these ancient goddess names were born forth from the elements like fire, water, wind… they were not “human” they were the spirit of the elemental. Its also wise to remember that the Greeks (or any writers that were men in any tradition on earth around the 2nd bce to 2nd ce centuries), made symbolism of the real soul and its emotional experiences non-existent when equating it to emotional sensitivities and their deeper meanings of real human beings, especially women.
Ancient Theater back then like today, did bring forth the actions of emotional embodiment into a living process but it was during the destruction of the feminine, the female in cultures, and the soul which was then eventually overtaken by mind-body cultures. The dreaming tree died. But, it has been the artists, the philosophers, actors and women scholars over the ages who have not only brought back the symbolic meaning into the actions of our real soul and our emotional meaningful past (that was deemed either hysterical or over sterile) throughout history, but it was not.
Original mythologies spoken through oral traditions, folk stories and folk legends of women are centered around Symbolism, Dreaming and the Creative Art processes giving a real life communications to our soul’s life. The real living ‘waters’ or actions to the soul to our human story outside of pain and suffering and outside the perimeters of war, kingdoms and conquering which caused that suffering.
Source: Water Maiden (Nymph) painting by Yuriy Ivanovich Starodubov; Water Lantern on the Coast by Branislav Jovanović; http://www.zanestein.com (Ocyrhoe myths); Emanuela Comito
Our Elder Mountain’s video of the “Burning of Marzanna”, its a little long! Marzanna was put into the Magical pond here and she burned very rapidly, intense and fast this year, compared to last year. It was as if a wind whirl came, but there was hardly any wind to fuel the fire at that intensity. I then hung a Russian decorated Egg on our life tree afterwards… Spring is here and let the New Year (mother earths) year begin!
If you join us next year in making your Marzanna, the instructions are here and let us know your making one:
Slavic & Balkan Traditions: Marzanna (Polish), Morė (Lithuania), Morana (Czech, Bulgaria, Slovene, Serbian, Bosnia, Croatia), Morena (Slovak, Macedonia), Maslenitsa (Russia), Mara (Belarus, Ukraine), Maržena, Moréna, Mora or Marmora is a Baltic/Slavic goddess of the seasonal rites of death and rebirth of nature and woman. All prehistory goddesses associated with Grandmother stage of Winter’s death, then the rebirth of dreams and Maiden and Mother’s stages of Kostroma, Lada and Vesna represents Spring.
Blessings upon me from the Mother of the Moist Earth from whom my Soul and the Children of the Souls are all born. I take your hand as you are the binding that weaves the river into matter, into me. There is nothing false about any Mother Goddess and all she contains, she is the great Creator of Life, the Supreme Goddess of Humanity.
Great Mother of the dark fertile earth, who shines the light of the Sun, so we can honor all of your blessings and abundance. We call to you great Mother (earth), your names are Mati Syra Zemila, Mokosh and Matka, who guides your wisest ones to speak with the animals, the plants or even a single leaf. The greatest magic of the flower and the clouds, the spirit of the wind and the water, the snow, rain, fog and mist all come forth into your mystical children.
We breath in this magic, we honor your gift of prophesy and reincarnation, the house where our souls rest. Mother in our heart, may we, your children bring Joy to your gardens of love.
Image of the Goddess and Daughter by Katya Filippova
Compilation of Ancient Romanian Folk Culture Traditions & Animism of Shamanism shares by Phoenix of Elder Mountain– This article is about the Romanian traditions of folklore rituals and shamanic connections with the Animism of the Wolf Clan people. But can animism can be applied to any tradition around the world, because the animism soul is cross culture of an older time before paganism or goddess eras. We do not get to chose our animism soul(s), its like dna of our physical body, its already predisposition at birth. The eternal soul in its light and shadow is eternal, both human form and animism for, from our own ancient souls. Even sorcerers who are all puff and smoke in their projection of an animal, is no match for those shamans who ‘are’ the wild animal soul (devoid of any human, its personality or its human soul) in their shape shifting.
I divided this article to a simple basic history of the ancient wolf people called the Dacian Tribes; The realm of shape-shifters of animism and its past life karmic loss; Wolves who turn into werewolves and why; and one of my shamanic ceremony similar to the folklore; and lastly, a dream of wolf by a maiden and youth who I know and their story with my intervention as a dreamer (shaman).
Romania, as I have discovered, never lost its connection with nature and especially to its forests, its “forest woman spirits,” to its wolf, bear and other inhabitants that populate the pantheon governing early animistic beliefs. Villagers, past and present-still, remain faithful to such symbols knowing that “She” protects and preserves the fertility and creation of all those who inhabit this cosmic space. The magic of life generated by these great forests resonates in the passages shared with us in the “Folk Almanac.”As we read them, they become instantly recognizable, and fascinating, as an unending umbilical cord stretching back into Neolithic or even Paleolithic times.
Romania has two specific ancient animal traditions that are still celebrated in Winter Rituals, one is the Wolf and the other the Bear. The more ancient Dacian tribes, the Kingdom of Dacia was a territory encompassing today’s Romania and the lands adjacent to it. The Dacians were one of Eastern Europe’s indigenous peoples who never left their inherited lands. Like most indigenous people including the white indigenous clans who were eradicated first, some small groups survived. The Dacia did not survive, but they showed a religious syncretism between the Wolf, the Dragon and the Serpent. Because they were indigenous and voiced their story traditions rather than written languages, little is know about them today. Fortunately, part of their history is written in stone.
The Wolf Clan Dacian people also called themselves “Wolves” and the legends says they were shape-shifters who changed from human into wolves (animism) and back again. They had an ancestral spirit wolf guardian, a big white wolf who in the end when war came, had to fight next to the Dacians when their capital Sarmizegetusa fell to the Romans. Rome was also a wolf clan as well, but the earlier Etruscans were not. Rome brought in a symbol of the more aggressive and war like wolf as a symbol. Dacians were a diligent people, who thrived in the lands in and around the Carpathian Mountains of what we now call Romania.
“Our Peasants will end in life after life, but men of Empires and Wars will end in death after death. Angels wear Joy, while Men wear Empire Clothing and will wear Mourning.” ~Romanian Petre Tuțea.
Modern Romania is a merging of two principalities named Wallachia and Moldova who were independent tribes and they joined as one in 1859. In 1877, Romania gained independence and four years later, Romania became a kingdom (constitutional monarchy) and enjoyed decades of stability and progress. The nation itself was only officially established in 1918 – the year that all three principalities, Wallachia, Moldova and Transylvania came together. In 1947, King Mihai I was ousted from power and what followed was half a century of communist rule and repression. After the 1989 Revolution, Romania parted with the communist past and in 2007 became a member of the European Union. Although Romania has always consisted of a large majority of their own ethnic Romanians, the ethnic minorities that settled over the centuries during the upheaval of changes of the 1800s, and they have all influenced the social, economic and ethnographic landscape. (http://www.folkwearsociety.com)
“Eternity was born in the Village” says one of the most famous quotes by Romanian philosopher and poet Lucian Blaga. In his poem “The Soul of the Village” he talks about the scenery of the Romanian village and its connection to the Romanian peasant, where “every thought is slower, and the heart beats more slowly, as if it beats not in your breast – but deep down somewhere in the earth”.
The feminine and female mythical connections and representations related to Dochia of Romania was their honoring of the Neolithic Mother Goddess who dies starting late Autumn and is then Reborn on Spring Equinox. In our Slavic traditions we called her Marzanna and Morena and she is in honor of this ancient tradition that is still performed today in a more simplified way. I do ceremony and ritual with Marzanna that starts on the Autumn equinox and she is done with shamanic ritual and then put on the lands at the Winter Solstice and then burned on the Spring Equinox for specific intention of my shamanic rites.
The Dochia is the old and powerful grandmother who is connected to the prehistory and primal earth. Beginning with Dochia’s Day, March 9th, the equinox of the old almanac and the female representations of divinity are grouped into their three generations (Triple Goddess): The Old Goddess (Grandmother) Dochia; Mother Goddesses: Mary the Virgin, the Woods Mother and the Caloian’s Mother; and Maiden Goddesses: Floriile, Sanzienele, Dragaicele, Lazaritele, Ielele.
The Wolves of Midwinter
Their are two Saint (modern traditions) associated with the older Pagan wolves, the first was the night of Saint Andrews is a legacy passed down from the Romanian ancestors, the Dacians, or wolf warriors as they were known given their battle symbol in the figure of the wolf headed dragon, a custom shrouded in mysticism. Old legends say that the wolves accompanied the warriors and that the one who was their leader watched over apostle Andrew through the wilderness of Dobrogea to the sacred Grandmother Cave that was offered to him as shelter.
The Wolves of Midwinter – Another legend of the winter traditions but much later than the Dracians is the peasant villager, specifically the Shepherds of Romanian. A folk almanac was compiled by Romanian writer Ion Ghinoiu and I will share below. I make a note, that the Serbians Peasant Villagers also are a wolf clan people, who also have a strong prehistory connected to the wolf clan as well that still remains in smaller rituals of villagers by the elder women, the men’s wolf ritual dance circle and the whole community, in a positive way of their relationship to their Midwinter Wolves.
by Vedan Kolod
In the darkness, in its very deep in the Taiga (forest), the Broad Taiga (forest) there’s an old Tree and under that tired old Tree, the mighty She-Wolf dreams a Dream.
She was the leader of her wolves’ pack, she was the wise Queen of the frost stunned Siberian Taiga. But her bones became weak when era’s had passed, and the death is flying above her head.
She-wolf is old and tired and wolves’ howls freeze in the air. She can only dream a dream of her children running free.
The Wolves of Midwinter is a prehistory Shamanic relationship to nature through her animals and those of us who are old souls who carry the lineage of an animal, avian, insect (fairy) or oceanid soul which today are very underdeveloped because of our karma of past lives of destruction during the last three millenniums. These ways which were fully active before the Patriarch, which was then carried into ancient Paganism, and then into their last destruction of the Christianized influences. In some Slavic and Balkan traditions these were more of a confluence with paganism and Christianity which helped preserve the stories.
One of these mergings is the celebration called Sânpetru which falls around the third moon of winter (January 16-20) also called the Wolves of Saint Peter. The folk tradition tells us that the Wolves gather in packs at howling places where they start singing to call their great divinity (mother earth, then god, then saint) to distribute their share of prey to which they are entitled for a whole year.
This divine one arrives at midnight on a white horse and allots each wolf its prey: a lamb, a sheep, a deer, rabbit or a human. The wolves would spare no morsel of the shares promised. The story is told of a shepherd being curious to see how wolves meet their divinity. To find out he climbed up to a howling place in broad daylight, and hides himself among the branches of a high fir-tree. After the wolves had gathered and howled their calling, Saint Peter arrived on a white horse and quietly distributed the prey to each, but before the end of the meeting, a lame wolf came limping. Seeing him, Saint Peter barked at him: Since you didn’t come on time, you should eat that human over there, hiding in the fir-tree. Within a year’s time, the curious shepherd was eaten by the lame wolf. (19 Ghinoiu, 1997, p. 45).
Myth narrates a sacred history; it relates an event that took place in primordial time. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the “supernatural”) into the world. It is this sudden breakthrough of the sacred that really establishes the world and makes it what it is today. ~Romanian Mircea Eliade
Because Romanian culture like most older pagan and shamanic cultures didn’t live by sun calendars in pagan times, they lived diligently by the seasons and divided winter into several rituals and ceremonies and the “Wolves of Midwinter” was one of them. The Peasants say if they give back to the middle of winter, then winter will give back in the form of returning spring on time. Sânpetru believers say that the wolves were and still are an intricate part of the cycle of winter and a protection against evil.
In the Folk Almanac, the winter was a time of magic and charms; foreseeing the weather and how rich the new year will be. At this time, it is believed that the Heavens open and animals speak and that treasures burn. In reaction to this, purifying magical practices, hallowed waters (consecration by the priests) and rituals are predominant.
In North-Eastern Transylvania, they light fires (Ardeasaâ in Bucovina); spreading of bad-smelling substances; fumigating people, cattle and household. In their fight against evil spirits people got help from the “Midwinter Wolves” which they say are able to see the demons and chase them and tear them with their teeth. Frightened by the wolves, the devils jumped into waters and those men who were brave enough jumped after them.
Priests would throw their hallow waters with consecrated water and would throw in the cross driving away evil spirits is also horse running or horse chasing. Once every year in Midwinter the two rivals: the Wolf and the Horse, the former being master over winter and the latter being master of summer, fight for a common cause, namely driving away the demons and devils.
January 29 is the Winter “Phillipiesâ” (phillipies) are divinities who protect wolves and are celebrated by shepherds until the beginning of February. In the Folk Almanac the Winter Phillipies mark the end of a long mating period for wolves, having started about eighty days before in Autumn.
Ancient Romanian “Nedeia Wolves” (Night Wolves)
Similar to the Winter Ceremony Sânpetru, the Romanians say that in the middle of the night, the “Nedeia Wolves” around Midwinter or a month after Winter Solstice, the Night Wolves come to gather to get their share of food for the whole year. The deity or saint rides the white horse, bringing offerings to wolves. That when the wolf clans gather, they howl and gather usually at the crossroads:
“We are going to eat the sheep of this village” but tonight, at the midwinter, one important night of the year, guided by the divine Peasants leave good out for the wolves to honor them. Then the Priest (and what used to be the Grandmothers but were forbidden after Religion came), is that they put their sheep in the stables with belief that their animals will now be guarded by wolves all year long.
“The Romanian Book of the Dead, another landmark of spiritual culture of the Carpato-Danubian people, contains sacred texts initiating the soul of the dead into a mythical journey on the path separating this earthly world from the world beyond. These texts are sung by a women’s choir at particular places and at significant moments of the funeral ceremony. The messages are addressed to the dead, to the goddesses of destiny (Zorile) and to the surviving husband. The Goddess of Death appears in the shape of a bird of prey (the kite, the raven, the vulture) or as a goddess that looks human (the Old Fairy, the Virgin Mary, Mother Irodia).
The texts to the songs contain, one by one, providential guides (the wolf, fox, or otter), well intentioned customs, as personified means of orientation (the willow tree in bud, the apple tree in blossom), psychopomp characters (the horse, the stag) and finally, in the world beyond, the dead person’s relatives.”
One last note… because Ukraine is along the border of Romania, it too has wolf lore, but those are later Pagan era’s when the focus was only on men and male gods. In Ukraine the “white wolf” is connected to Lesovik, a Forest Spirit who was previously probably god of the forests and before that a shamanistic grandmother or female forest soul; this spirit is often called, among other names, “the wolf’s shepherd”. It’s important to note that the motif of a wolf chasing after the Moon exists in both Nordic and Slavic along with Romanian mythology. The ancient Nordic peoples believed that a wolf called Hati is chasing after the Moon, which he will devour when he finally catches up with it, creating thus a lunar eclipse.
Symbolically this means when the seasons change (eclipses), our moon, which is our soul, catches up with us at each solar and lunar eclipse if we do not do emotional work. For many, this has now accumulated for decades and thus our diseases come faster and are more and more serious.
Animism Part 1: The Fragmented, then Lost Souls of our Animism Rites
Animism is rare around on earth today and pretty much was shut down between the first century ce and the 13th century or the dark ages. It’s rare because people living today, accrued their real karma of their past lives during those centuries. It wasn’t because we fell asleep, although that is a part of it, our animism souls were destroyed by the constant suffering from rising war cults of the Patriarch (Religion, Military and Science.) Each war or wars we went through in our past lives accrued in losses, be it a victim or a soldier of fortune. The stresses, strains, loss of community and rape effected all indigenous whites, reds, black, yellow and brown peoples.
My focus is to always help others to understand that relearning of our relationship to our shamanistic purity and our karmic soul, its relationship to our emotional body (at both our instinct levels and our lack of boundaries) and their relationship to nature (non plant non drug shamanism). Our personal and our real past life karma binds these two parts of our soul inside of us, sometimes both (the emotional body and the soul astral body) are not even merged together and separate, which makes it even harder to heal. The animism and other souls we have which are not our human aspects – do not live in this world, they live in the dream worlds (energy fields across the veil from us) which is less than five inches away energetically and remain there in the first gate of the middle worlds of earth.
Animism is also a lifelong “sober” dedication. When we are young and pure, we may have a glimpse or shape shift a few times, but after 30 (first Saturn return) its a different story and most of that is lost as the gates to youth and childhood close). Many also have trauma in childhood and this too effects the animal souls destruction and loss. After the first saturn return, we enter adulthood and this is where karma and karmic purification of our next 30 years begins. Most people, even spiritual people live regular lives and are not in a constant state of crisis that occurs with karmic purification, or what people refer to as the dark night of the soul. One dark night can seem like ten years and in actual work, the crisis can last from ten to thirty years of the dark night for the devout spiritual persons journey.
Since the early 70s, many things have been superimposed onto shamanism that really is not a part of shamanism and animism. Even Plant shamanism is new on earth (only since the 1500s), but opinions of those who do them for ten or twenty years will try to convince you otherwise. Just try to stay sober when dealing with shamanic reality, that will pay of after fifty or sixty with better health.
Part 2: My Ritual Shamanic purification work with Animism
Wolves in nature have a hierarchy and a complex family and so do wolf clan people. Much of the issues that arise is complex family issues that need to be addressed and healed and takes a long time for such work to play out. I just completed a six month ceremony a few weeks ago on a local werewolf and aware of who it’s human is and he has a complex, very complex issue in relationships in regard to family. In animism, the soul of the animal, bird etc. can be possessed by the human karmic shadow astral body (demon) which would then turn a wolf into werewolf.
Because our shadow human body is in the underworld or free and roaming the dream planes, the mystical connections between our light or dark soul and our animal soul has an evolution that started long ago from the past and its past lives. That is the simple explanation.
I was surprised when I found this folk almanac today, that was a Romanian shamanic custom which I was doing without knowing a few weeks ago. That made my day and brought a smile to my face. The story of the werewolf of my shamanic work started six months ago, as I began to hunt a werewolf shadow soul after it attacked me on the full moon on the land. I did most of my shamanic work in that Gemini moon cycle six months ago and when the Sagittarian Moon arrived (its opposition) in late November, early December, I waited for the signs in order to complete this job. Of all the work I have done that is not collective, but individual, the werewolf soul is by far the most dangerous.
Having finished most of the work, the werewolf shadow soul of this human was reduced into a smaller size (the raccoon) through the slaying, which carried what was left of the demonic human soul drastically reduced. After that work, again the chickens were killed in the Sagittarian Moon cycle but not eaten.
I then did the final ceremony with my apprentice to call both the Bobcat clan in and the Coyote clan who live close to us, to assist me in catching this raccoon, and I also said some intentional prayers asking the Ancestral bobcat and coyote clan ancestors to help as well. We left the ancestors and the bobcats and coyotes, all five of the chickens which had been killed at “Midwinter” as an offering. And for them to guard the remaining goats and chickens and honoring them for helping us. It took three days – but finally the bobcats and coyotes came and took all the dead chickens.
Yesterday the dead raccoon was on the road and the werewolf roaming the dreaming or energetic fields (in-between the veils) is slain completely now and its human counterpart, remains unharmed and untouched. I have done this job with two Skinwalkers and they were easy compared with the werewolf, but Skinwalkers are Coyotes, not Wolves. Wolf is a whole different complex system of clan, family and the more root of animism because of its complex social system. Up until now, as long as this human person’s demon owned his werewolf – he receive no karma, only other people have. That time is over now in his lifetime and he continues his path as a human without the power of the werewolf.
Lycan was an ancient Greek human who can shape shift into their animal soul (animism), lycan is a dark term, meaning werewolf, one whose soul has gone into killing but not having paid the karma by suffering themselves.
In my shamanic work I live by the ancient Slavic traditions and do my work according to that practice over the years along with the cycles of the moon as timing and synchronicity of my work. I live by the 1/2 Year of Fire (spring and summer) and the 1/2 Year of Night (autumn and winter). Wolves have just returned here the Pacific Northwest, where I live, so eventually with their return, this shamanic origin ceremony will be preformed by me in the future if they come near the area, but I will still do it with coyotes and bobcats as well to honor them in Midwinter from here forth. To have a relationship with nature and its wildness is mandatory in the ways of respecting and honoring wolves, bears, coyotes etc.
Part 3: Two High School Friends have a Dream
A high school Maiden gave me permission to share her dream, I will call her Cloud, her mother is one of my eldest Apprentices so she as daughter, who was familiar in the last six years of this type of work with her mom, the dos and don’ts…
Her Dream: Cloud went to help her friend Dex confront a giant black and red eyed demon when they dreamed together one night. She saw Dex shifting into a wolf partially, mostly just facial features, eyes, cheeks ears etc. Cloud remembers being in a house that she knew her mother was at in the dream with Dex. A great room with a huge kitchen counter island.
Dex was holding Cloud in a protective way as they hid under the counter facing a huge wooden door. There were lots of younger children and Cloud was telling them everything was ok and sending them out to different areas of the house. But when they were all gone she told Dex “we may die you know” and he said “yeah I know”. Then Cloud saw the bolts and screws holding the wooden door securely to be pounded by the other side of something that wanted in. They started to twist their way out on their own and she told Dex, that the huge demon was trying to get in and get them.
So Dex moved next to the door and hunkered down like a wolf, and that’s when she saw his face start to shift… he took off his shirt and she saw that he had a tattoo on his upper middle back that was healing, like it was done recently, like an iron cross type of design and two smaller tattoos on each shoulder blade. Then the door blew off the hinges and it slammed into Cloud pushing her against the wall and she saw the demon walk in. It was about 9 or 10 feet tall, red skin like a frogs skin and black marks on its face with an elongated pointed chin and large slanted red eyes and huge protruding muscles like the hulk.
She heard Dex scream her name in shock when she got slammed into the wall by the door and hearing him she popped out of the dream. She woke up, and she got out of bed crying and went to the bathroom and saw she had a red marks on her forehead where the door hit her in the dream.
My notes:Dex is in High School and does drugs weekly, because of that, he was weak in the dreaming, and lost power. Cloud is his best friend and that is why she showed up in his dream. Dex of course has a “undeveloped” shamanic wolf soul that is still pure, but now with someones demon interfering, that shadow wants to possess that part of Dex soul and once that happens, there is no longer any soul wolf that belongs to Dex this lifetime or future lifetimes. He would become a werewolf.
If and when that happens if he doesn’t get sober, then he gains power, shadow and its demonic power and being so young, he won’t know the difference between good and evil, because the werewolf will entrap and control him in the dream realms that effects him and his relationships in this waking world.
The ego in this world then gains power until he or anyone meets someone like me… a dream shaman who is a dream huntress to slay the shadow and free the human. Dex has no power to fight this werewolf off. Regardless of what you hear out in the world, no one can fight a “real” demon until they have earned their second level soul animal or bird and can shape shift into it without any human soul interfering. Basically, Dex is about to loose his birth rite wolf, if he doesn’t stop doing drugs and I don’t find out who the werewolf is. In almost all cases, its someone in the family because wolf rules the archetypal structure of family.
My work of Dex and his Father George came next:
I completed this work recently (a few weeks after Dex coming to the near loss of his wolf soul) and I could do all the work in my dreams now that my 40 years of initiations as a death shaman (black shaman in Siberian terms) was completed. Dex’s father George, had a shadow past life demon who I call Blackie which I was following in the dreams over three nights to get more information. Blackie was gaining more and more power over George and George was encouraging his son Dex to do drugs, and stay out all night and party and it was getting worse and Dex was getting weaker and starting to lose part of his soul because of Blackie. He was also skipping school this past year and making it impossible for Cloud to have him in her space.
The werewolf of George, was still in a prison (not free to roam here or Dexs dream space) because Blackie the human demon of George had not possessed Dex yet, but was getting close and just across the threshold ready to come over and the transformation of loss was going to occur. This is the way it is all over the world, this tightly wound woundedness of lifetimes in the family of many people with gifts. Kids are not trained, parents don’t believe and then it all becomes lost or the kid is put on medication or worse, the teen or young adult starts self medicating with pot, alcohol or shamanic drugs.
I went into the dreaming again on the forth night, and slayed the demon Blackie and sent him back to the underworld. Both father and son were freed and their behaviors will improve immediately. The father pushed away some of the dark people he had put in his son’s life and the son began a friendship of respect with Clouds within two weeks.
As of today, everything shifted once Blackie was sent back to the underworld and locked down never to return this lifetime, and werewolf was then out of everyone’s dreams and was pushed even further into the realm of the past, into the past life where the fathers wolf was overtaken (most likely the middle ages and a few centuries before where most of wolf clan men damage was done). Werewolf had no power as long as the father’s demon Blackie was gone.
Forty years of initiation and training from real demonic activity makes my work very easy today, its done fast and complete.
“In life for those of the Wolf Clan
we feed the good wolf or we feed
the bad wolf’s demon human
who then frees the werewolf
to kill the wolf soul.”
Those who are wolf clan people like the Romanians or Serbians take it very seriously but the demonic scourge of all military on earth and their wars for any reasons – destroys this indigenous aspect of all of us who are willing to suffer and heal our karma.
The werewolf is one of the darkest and most powerful karmic animism souls to deal with and this destruction from wolf into werewolf began with the rising powers of the Kingdoms and Chiefs of earth from accumulated individual karma. It first began in the spread of the war cults such as Rome, Greece, Turkey, Saudi Arabia, Germany, Jerusalem, North Africa (Egypt), Iraq or any country that built a religious-wars over the last 5,000 years. America was only the last to join the ranks.
“In ancient Arcadia, it certainly seems to be have been an important center of wolf worship. The story of king Lykaon leads us to Zeus Lykaios (another Arcadian “wolf god” who was Apollo Lykaios). Zeus Lykaios is the “Wolf Zeus”. In his honor, a religious festival called the Lykaia was celebrated on Mount Lykaion, the “wolf mountain.”
A historical example of where the wolf soul of a human being is destroyed and lost, and the werewolf becomes part of the man, and he returns much stronger and ten times more powerful…
“Regarding these sacrifices during the Lykaia, we are also having the incredible story of an Olympic boxing champion that Pausanias (6.8.2) tells us: “Damarchus, an Arcadian of Parrhasia, (…) who changed his shape into that of a wolf at the sacrifice to Zeus Lykaios, and how nine years after he became a man again”. He allegedly was turned into a wolf after he ate the flesh of a boy that was sacrificed to Zeus Lykaios by the Arcadians; Pausanias, writing in the Roman period, tell us that he “cannot believe what the romancers say about him [i.e. Damarchus]”.
Pliny’s Natural History (NH 8.34): “Agriopas (…) informs us that Demænetus, the Parrhasian, during a sacrifice of human victims, which the Arcadians were offering up to the Lycæan Jupiter, tasted the entrails of a boy who had been slaughtered; upon which he was turned into a wolf, but, ten years afterwards, was restored to his original shape and his calling of an athlete, and returned victorious in the pugilistic contests at the Olympic games.”
There were no werewolves in goddess and (early) pagan cultures, so there were no historical references to werewolves in the early Rome or Greek writings, only poetic historical accounts of the shifts of culture from shamanism and animism into paganism and religious kingdoms approximately around 2,500 bce until the 2nd century bce. History is based on written accounts and the soul history is based on ancient art and oral tradition and folklore. But shaman’s stories of the animism souls were not shared, and falls under the mysteries and rites of the shaman. Even I, outside the context of my apprentices do not share that much compared to what I experience everyday.
“Arcadia: The story of wolf transformation spread more widely and seems to have become quite popular during the Roman period. We learn about the entertaining story of Niceros who, during Trimalchios’ fantastic dinner party, told this story about his friend, a soldier, who transformed into a wolf in a graveyard: “He stripped himself and put all his clothes by the roadside. My heart was in my mouth, but I stood like a dead man. He made a ring of water round his clothes and suddenly turned into a wolf. Please do not think I am joking; I would not lie about this for any fortune in the world. But as I was saying, after he had turned into a wolf, he began to howl, and ran off into the woods. At first I hardly knew where I was, then I went up to take his clothes; but they had all turned into stone…”; and later he became a human again, returning to Nicoros’ house (Petronius, Satyricon, 61f, c. CE 60).”
By Phoenix of Elder Mountain – I am doing a three part article on the shadows of Star Lore and how we have gone too far from earth because of the mind cults, and as earthlings everyone is born, dies and are reborn from our mother (earth) even the aliens. The first will be the Seven Sisters who science called the Pleiades. The seven sisters sit in a cluster inside the belly of Taurus the Bull, one of the four sacred cardinal points and associated with the Bull cultures like the Hindus, the Minoans etc. The Bull is feminine and so are her cultures, its symbolic meanings and shadows of the lost ones who wish to find themselves again after lifetimes. The second article will be Orion and the third article will be Sirius, the dog star-lore.
The wisdom of the Seven Goddesses (sisters)…
When one finally chooses to move onto the path of choosing a relationship to seek the authentic self, our truth telling and telling our self the truth path, its filled with emotional ups and downs and learning to bend chaos to stay grounded. The knowledge-spiritual, psycho-spiritual, social-spiritual, plant (drug) spiritual, drama-spiritual, dating-spiritual, paranormal-spiritual and book-spiritual all tend to fade away when we begin a self healing, self mastery and self spiritual journey and its duration. This generally starts around 37 when the Uranus opposition occurs and the energy of truth/chaos vs freedom energy begins. The adult crisis or transformation time.
The Pleiades no longer mark the ancient rites of passage in ceremony of the great circle of women and have a more blissful or adventure star-lore in modern times, but their origins do not seem to hide the struggles and the struggles of collective myth. The problem is with the reality of collective in general when it comes to mental body arts as in written myth handed down for millenniums. Its hard to master the person and impossible to master the collective, because… its the collective. The associations have persisted nevertheless of the morning and shadow sides accounts for the significance of the Pleiades in older cultures and astrologically.
“The Moon is set and the Pleiades. Night’s half gone, Time is passing. I sleep alone now.” ~ Sappho
The Seven Sisters name means “Daughters of Pleione” from the Greek word pleiôn “Ladies of Plenty.” Her Age of Taurus of her Bull and Cow 1,200 bce – 2012 ce.
Maia – “grandmother,” “mother,” “nurse,” “the great one” or “good nursing mother.” The oldest of the Pleiades, she is the mother of Hermes.
Alcyone – Also called Halcyone, “queen who wards of evil storms” or “strong helper”. By Poseidon, she is the mother of Anthas, Aethusa, Hyperenor and Hyrieus.
Asterope – Also spelled Sterope, “lightning,” “twinkling,” “sun-face,” “stubborn-face,” “star-faced” or “flashing-face.” Mother of Oenomaus, the king of Pisa. Ares and Oenomaus are her husbands.
Celaeno – “swarthy,” “black” or “dark.” She is the mother of Eurypylus and Lycus. A different account says that by Prometheus, she is the mother Lycus and Chimærus.
Electra – “amber,” “shining,” “bright.” Mother of Dardanus, the founder of Troy. Some accounts place Electra as the mother of Iasion. She is called Atlantis by Ovid. According to Thaumas, this Electra may be the mother of the Harpies.
Merope – “eloquent,” “bee-eater,” “mortal” or “sparkling-face.” The youngest of the Pleiades, she was wooed by Orion. Merope sons: Glaucus, Ornytion and Sinon. She is sometimes said to be the mother of Daedalus, Alcippe and Iphinoe.
Taygete – Also spelled Taigete, “long-necked” or “of Mount Taygetus.” Mother of Lacedaemon, the founder of Sparta. She is an important goddess.
Seven Sisters Asteroids, Pleiades Asteroids:
Maia asteroid #66 (Maja) Alcyone Asterope asteroid #233 Celaeno asteroid #3857 Electra asteroid #130 Merope asteroid #1051 Taygete
When I work with archetypes, symbolism, synchronicity which are the actions or results of symbolism in the real living aspects, or lore and folklore, art, ancient art, myths, folkology, oral traditions, traditional folk arts, or fine arts, astrology, esoteric, even astronomy – all of them are seeking perception of the other side of the entire reality we live in the old dynamics of the myth makers world.
As we unplug from the blindness and the ancient myths that no longer serve, its all about our emotional and mental health or the wellspring, some call it the gates to the self. I have walked this path for the truth (personal, interpersonal and collective in that order) and the truth to seek wholeness and pick out the corrupted or rotten parts of self, to apply this to the working symbolism and healing of my spiritual path…
Lets start with the Pleiades Star Lore…
In Ukrainian traditional folklore the Pleiades are known as Стожари (Stozhary), Волосожари (Volosozhary) and Баби-Звізди (Baby-Zvizdy). Stozhary can be etymologically traced to “стожарня” (stozharnya) meaning reduced to the root “сто-жар”, (sto-zhar) which means a ‘hundredfold glowing’ or “a hundred embers”. The name for this constellation in Lithuanian is Sietynas and Sietiņš in Latvian. Both of which have a root word: sietas meaning “a sieve.” In Ukraine this asterism of the seven sisters was considered a female talisman until recent times.
Ukraine ‘Volosozhary’ means she with the glowing hair and ‘Baby-Zvizdy’ (female-stars) referrs to the female tribal deities of the goddess traditions. According to legend, seven mothers who lived long ago used the round dance in the autumn equinox to winter solstice, to sing the glories of the ancestors and old ones. After their death the ancestors turned them into water deities and took them to the Heavens, what is today know as Nymphs who don’t really carry any of the ancient qualities. Round dances in their origins of the Slavs and Balkans where symbolic for the “moving and movements the time” which was based on Nomadic lifestyles.
In both Latvian and Lithuanian folktales, the Pleiades constellation is shown as an inanimate object, a sieve that is stolen by the devil from the god of thunder used to bring light rain by the thunder god’s wife and children. In some Lithuanian folk songs, Sietynas is depicted as a benevolent brother who helps orphaned girls to marry.
Known since ancient times, its popular name of was: Pleiades,Mother Hen with Chicks designated by their mythological names from the Greek poet Aratus (III century BCE). Later, when Christians were approaching the Goddess and Pagan era’s it was known as the Dove, and dove is associated with peaceful soul. But almost all of the traditional and indigenous traditional stories reveal that the Pleiades shows symbolically that they are associated with loss, destruction and shadow, probably after the wars on the soul of the building of the kingdoms through religious domination over paganism and goddess cultures and then strictly through the military of the kingdoms which developed later after the 7th century ce.
In world lore, the Pleiades seem to have two meanings, the first and oldest lore, its associated with planting and harvesting times. The second and later folklore is about morning and loss. to the Bronze Age people and probably considerably earlier, the Pleiades were associated with funerals of the clans and tribes, since its the time after abundance, cross-quarter day between the autumn equinox and the winter solstice, it was from this acronychal rising that the Pleiades became associated with mourning.
Contrarianism – Daughters of an Amazon Queen – While many variations of the Greek myths in the Idylls, the Pleiades are the daughters of an Amazon Queen and the only one who listed by the Greeks or what was left, was the Grandmother. She is also in the Roman mythology as the Goddess of fertility, Latin Maia, literally “She who brings increase,” related to magnus “great.” Maia, one of the Pleiades Greek Goddesses was then reduced by the Greeks into daughter from the Amazons Great Grandmother and Romans great Mother. Maia to the Greeks is daughter of Atlas, mother of Hermes, literally “mother, good mother, dame; foster-mother, nurse, midwife,” said by Watkins to be from infant babbling.
Their Amazon Pleiades names are: Coccymo, Glaucia, Lampado, Maia, Parthenia, Protis and Stonychia and these sisters created ritual dances at nighttime in what are legends today (before Dionysus Cult took them over). North Africa & the Old Kingdom of Egypt – The goddess Hathor has an interesting take in her role and aspect as a Mother goddess for it was believed by the ancient Egyptians that “Seven Hathors” would appear at the birth of a new baby, foretelling the baby’s fate. The reason they’re mentioned is that during the Ptolemaic Period, when Egypt was under Greek rule, the Seven Hathors became identified with the Pleiades star cluster. Aside from Hathor, the Pleiades also represented the goddess Net or Neith, the “Divine Mother and Lady of Heaven.”
The Tuareg Berbers call the Pleiades by the name of: Cat ihed, s “daughters of the night” and Amanar “the guide” and Tagemmunt “the group.” The changing of the seasons to prepare for the heat of summer and the colder weather that the rainy season brings.
East Africa – In the Swahili language, the Pleiades are called: “kilimia” which means to “dig” or “cultivate.”
South Africa – The Basotho call the Pleiades “Seleme se setshehadi” meaning the “female planter.” When the Pleiades leave the night sky around April, marks the beginning of their cold season. The Khoikhoi tribe call the Pleiades by the name of Khuseti, the stars of rain or rain bearers.
Mesopotamian – Babylonian mythology and astronomy, the Pleiades are called MUL.MUL or “star of stars”.
Arabic – The Pleiades are known as al-Thurayya, the star, Aldebaran, meaning “the Follower” which is part of the Taurus constellation is seen as forever chasing al-Thurayya across the night sky.
Iran, Persian – Pleiades are known as Parvin.
Judeo-Christian – Pleiades are identified as being Kimah, meaning “cluster,” there is an indirect reference to this asterism found in Revelations 1:16: “In his right hand he held seven stars, and coming out of his mouth was a sharp, double-edged sword.” A context of harshness and the power of language and word over all things feminine. The Talmud Rosh Hashanah tells that mankind’s wickedness, removes two of its stars and caused that this star cluster would rise with the dawn and out of season alignment. This mean’s that men have done destruction and harshness to the earth and her seasons, I think Nasa and Cern have been the living proof of such destruction to not only the magnetic fields, but now the auroras.
Pakistan – Carrying a positive in the name Parvin, the stars it represents is a symbol of beauty.
Karatgurk – Wurundjeri of Australia, the Pleiades represent a group of seven sisters known as the Karatgurk. They were the first to hold the secrets of fire and each of the sisters carried live coals on the end of their digging stick. The sisters refused to share the coals with anyone and eventually were tricked into giving up the secret of fire to Crow who in turn brought the gift of fire to the rest of humanity.
Kidili– A moon god of the Mandjindja from Western Australia, he had tried to rape some of the first women on Earth. In retaliation, the lizard men, Wati-kutjara attacked and castrated him using a boomerang before leaving him to die in a watering hole. As for the women, they became the Pleiades star cluster.
Kungkarungkara – They are the ancestral women in the lore of the Pitjantjatjara tribe.
Makara – Adnyamathanha tribe, the Makara (The Pleiades) are the wives of stars within the Orion constellation.
Napaltjarri – From Central Australia, they were seven sisters being chased by Jilbi Tjakamarra. He had attempted to use love magic on one of the sisters. She refused Jilbi’s advances and she and her sisters fled from him.
In this story of the Koori’s Dreamtime, the Pleiades or the Seven Sisters were a group of seven beautiful ice maidens. Their parents were huge mountain whose peaks were hidden by the clouds and an ice-cold stream who flowed from some snow covered hills. The Seven Sisters would wander the land, their long hair flowing out behind them like storm clouds. One day, a man by the name of Wurrunnah, caught two of the sisters and forced them to live with him while the others continued on their journey home to the sky. Wurrunnah soon found that the sisters he caught were ice-maidens and took them to his camp fire in order to try and melt the ice off of them. This only served to put out his fire and dimming the brightness of the two sisters.
Berai Berai Brothers And The Seven Sisters – Another story told of the Seven Sisters is that when they were on earth, of all the men in love with their beauty, the Berai Berai or two brothers were the most devoted. They always brought all the choicest catches from their hunts to the Sisters as an offering and token of their love. This love was not returned and when the Sisters wandered away, up to the mountains, the Berai Berai followed after them. After the Sisters left for their journey to the sky, the Berai Berai mourned. A grave depression fell upon them that they eventually died. The spirits of the Dreamtime took pity on the brothers and placed them up in the sky, up where they could hear the Sisters sing. On clear nights, the Berai Berai can be seen, represented by the stars that form Orion’s Sword and Belt.
Ben Raji – Living in western Nepal and northern India, the semi-nomadic Ban Raji refer to the Pleiades as the “Seven Sisters-In-Law and One Brother-In-Law” or “Hatai halyou daa salla.” For the Ban Raji, when the Pleiades rise up over the mountains at night, they see their ancient kinfolk. e.
Celtic – The Celts associated the Pleiades with grief, mourning and funerals. At this period of time and history, the time of the Autumn Equinox and Solstice would have occurred around the time that the Pleiades star cluster rose in the eastern skyline as the sun set.
Aztecs – The Aztecs strongly believed their ceremony would prevent demons of darkness from coming to the Earth and devouring mankind. For this, they offered up to the gods human sacrifices to the Pleiades.
Chinese – Pleiades are known as Mao, the Hairy Head of the White Tiger of the West. The Pleiades seem to be the first stars mentioned in astronomical literature, appearing in the Annals of 2357 B.C.E. Aside from the name Mao, the Pleiades are also known as The Blossom Stars and Flower Stars.
Greek Catasterism – If the Pleiades weren’t getting chased by Orion, then they became stars after committing suicide over the fate of their father Atlas, a Titan. Or the loss of their siblings the Hyades and Hyas. After their death, the god Zeus placed the sisters up into the heavens.
India – Pleiades are known by a number of different names such Karttikeya, Kṛttikā, Kārtikā, Kumara or Subrahmanya. In both Indian astronomy and Hindu astrology, the names Krttika and Kartika translate into English means “the cutters.” Hindu – A story associated with this star cluster tells how the war-god Skanda was raised by six sisters known as Kṛttikā, making it so that one of his names he is known as is Kartikeya or “Son of the Kṛttikā.” Skanda or Kartikeya was born to Agni and Svāhā after the Kṛttikā had impersonated themselves as six of the seven wives of the Saptarshi in order to make love with Agni. When the Saptarshi learned of this incident, they began to doubt their wives’ chastity and divorced them. The Pleiades are known as the Star of Fire and one of the most prominent of nakshatras associated with anger and stubbornness. They are ruled by the Hindu god of war, Kartikeya. Another deity associated with Kṛttikā is Agni, a god of sacred fire. Additionally, it is ruled by the sun or Surya and has the symbols of a knife or spear.
Japanese – Pleiades star cluster is known as Subaru, meaning “coming together,” “cluster” or “united.”
Blackfoot– The Lost Boys – This is a story in which the Pleiades are a group of orphaned boys not taken care of by anyone, and Sun Man was angered by the boys’ neglect, so he punished the people with a drought, causing the buffalo to leave and be destroyed. The wolves, the only friends the boys had ever had, intervened for the people to have the buffalo return. Sadden by their lives on earth, the boys asked the Sun Man to allow them to play up in the heavens. In addition, to remind the tribe of their neglect of the children, they hear the howling of the wolves calling.
Cheyenne – A Cheyenne legend, “The Girl Who Married a Dog,” tells how the Pleiades stars represent puppies that a Cheyenne chief’s daughter gave birth to after being visited by a dog in human form. Dogs are the lowest form of men in their animism shape from too much karma.
Cherokee – Both the Cherokee and Onondaga tribes tell a similar story about a group of seven boys who refused to any of their sacred responsibilities and only wanted to play.
Crow – The Crow military societies have many songs that use a play on words referencing the Pleiades constellation of high ideals to many amusing or comical stories.
Inuit – Nanook, the Inuit Bear God, a great bear threatened all of the people. This bear was chased up into the heavens by a pack of dogs.
Kiowa – There is a legend told about how seven maidens were being chased by giant bears. The Great Spirit created Mateo Tepe, the Devil’s Tower and placed the young women there. Still the bears pursued the maidens, clawing at the sides of the sheer cliffs.
Lakota – There is a legend that links the origin of the Pleiades with Devils Tower. This constellation is known as Cmaamc, an archaic plural form of the noun cmaam, meaning “woman.”
Mono – The Monache tell a story how the Pleiades are six women who loved onions more than their husbands were thrown out of their homes by their angry husbands and found their way up to the heavens. When the husband grew lonely and tried to find their wives, it was too late.
Nez Perce – They have a myth about Pleiades that parallels the ancient Greek myth and the Lost Pleiades. In this myth, the Pleiades are a group of sisters and one of the sisters falls in love with a man. When he died, she was so grief stricken, that she finally told her sisters about him. The other sisters mocked her, telling her how foolish she is to mourn the death of a human. This sister continued to grow in her sorrow, to the point she became ashamed of her own feelings that she pulled a veil over herself, blocking herself from view in the night sky.
Onondaga – Their version represented lazy children who wanted to dance instead of doing their chores. All the while as they ignored the warnings of the Bright Shining Old Man. Eventually, light headed and dizzy from hunger, they died.
Shasta – In their stories, the Pleiades are the children of Raccoon who are killed by Coyote while avenging their father’s death. After death, they rose up to become the Pleiades. The smallest star in the asterism is seen as Coyote’s youngest child who helped Raccoon’s children. This shows the lower form of animals as having power instead of the greater ones and the trickster (coyote) verses the viscous ones (raccoon).
Zuni – They used the Pleiades as an agricultural calendar. Among the Zuni, the Pleiades were known as the “Seed Stars.” When the Pleiades disappeared on the western horizon during spring, it was time for planting seeds as the danger of frost had pass. The Zuni also knew to finish all of their planting and harvesting before the Pleiades returned on the eastern horizon with the return of colder autumn weather and frost.
The story of a missing Pleiad also appears in other cultures such as African, Asian, Australian, European, Hindu, Indonesian, Jewish, Mongolian and Native American mythology. The star Celaeno is currently the dimmest star. However the star, Asterope is actually two stars, both of which are dimmer than Celaeno. There does seem to be a basis for this part of the legends as astronomical evidence clearly points to a once visible star within the Pleiades cluster that has since become extinct by the end of second millennium B.C.E.
The Nebra sky disk is a bronze disk of around 30 cm diameter, patinated blue-green and inlaid with gold symbols. These are the Generally interpreted as a sun or full moon, a lunar crescent, and stars (including a cluster interpreted as the Pleiades). Two golden arcs along the sides, marking the angle between the solstices, were added later. A final location addition was another arc at the bottom surrounded with multiple strokes of uncertain meaning, as the Milky Way or as a Rainbow.
The disk is attributed to a site near Nebra, Saxony-Anhalt in Germany, and dated to c. 1600 bce. It has been associated with the Bronze Age cultures of Unetice and the disk is unlike any known artistic style from the period. According to an analysis of trace elements by x-ray fluorescence by E. Pernicka, the copper originated at the Mitterberg in Austria, while the gold is from the Carpathian Mountains.
Sources: Fountain in Belgium, etching from the mid 1600s called the three fountain maidens linked to the alchemy of mercury; Painting of the Pleiades (The Pleiades) by Elihu Vedder, 1885 Се Плейоны Плеяды (The Pleiades) Илайхью Веддер, 1885 год; List of Symbolism from https://brickthology.com; The Heavens Seemed to be on Fire- Kay Nielsen;
Vanquishing means to conquer or subdue by superior force, as in battle, control or slavery. This video is about how the wise Grandmother who was once great leader, chief, shaman and leader of ceremonial rites of early pagan and pre-pagan worlds. Not all grandmothers bought this suppression to be vanquished. Try to understand that fairytales are too limiting for the greatness of our soul and its huge expression. If its limited we suffer, if we express or real truth, we heal.
Compilation from various articles and sources of the Bear Goddess put together by Phoenix of Elder Mountain with personal writings intermixed –
“You see and hear that not only in Ephesus, but in almost all of Asia, this Paul has persuaded and turned away a considerable number of people, saying that gods made with hands are no gods at all. Not only is there danger that this trade of ours fall into disrepute, but also that the temple of the great goddess Artemis be regarded as worthless and that she whom all of Asia and the world worship will even be dethroned from her magnificence.” When we heard this, we were filled with rage,we began crying out, saying “Great is Artemis of the Ephesians!”…
The name “Temple of Hadrian” is not really accurate: it is more a monument than a temple, and was dedicated to Artemis and the people of Ephesus. The temple was partially destroyed in the 4th century, and it was during the course of restorations that the four decorative reliefs were added to the lintels of the interior of the porch. In 381, the Christian Emperor Theodosius outlawed pagan cults throughout the empire. Not long after this, a curious relief was added to the so-called Temple of Hadrian and shows the great anti-pagan campaigner Theodosius and his family accompanied by gods including Artemis of Ephesus, Athena and Selene, this is when the first marketing of the feminine was used against the feminine.
The cities of Ephesus, Cyme, Myrine and Smyrna were founded by the Amazons which was an Artemis tradition according to tradition. The temple of Artemis in Ephesus is attributed to Otrere, the queen of the Amazons who raised it for the first time. Ephesus, some recall, was at some point called Smyrna, being so named after an Amazon Smyrna, who took possession of the city. Later the city Smyrna was founded from Ephesus by emigrants from this city. Because of Ephesus and because of their customs, the Amazons are regarded as worshipers and high priestesses of Artemis, a goddess who may assume different forms in its ancient shamanic traditions.
The once great shaman women of prehistory, buried under the piles of great destruction along with our grandmother ancestors forgotten past, whose shamanic cultures and dream cultures faded into obscurity. Grandmothers leadership had retained the connection of animism, dream walking and nature’s primal soul and astral gifts when our souls were all one with nature, the ocean, the real magic of mother earths soul consciousness that even the indigenous has forgotten.
The She Bear CALLISTO
In the evolution of the Goddess, Callisto’s attributes were handed over to Artemis and the quote above, Riot in Ephesus was long after writing was established. There are a few clues left in the writings such as Callisto is a pre-Hellenistic Goddess when Arcadia was invaded by the Greeks who had already destroyed their earlier grandmother cultures, and was regarded as a great She Bear only to be reduced to the lowest status of a Nymph. Merope who was one of the seven sisters of the Pleiades were also all reduced to Nymph and its interesting that two she bear goddesses would have that in common from completely different eras.
In the late 14th century, Nymph was explained as a class of semi-divine female beings from the Old French nimphe (13c.), from Latin nympha “nymph, demi-goddess; bride, mistress, young woman.” The Greeks felt that if they could remove power from the adult women (mothers) and the grandmothers (spiritual leaders) and put the maiden on the throne, he would have full power in society and he was right, it worked because maidens are in love with love and are not powerful like adult women and grandmothers. From the Greek nymphe (which means “bride, or young wife”) was transformed later to “beautiful young woman,” then lastly removing part of her humanness into idol “semi-divine being in the form of a beautiful maiden.”
Even the stories like Sedna and Blackfoot Bear woman are about loss of her traditions that died when the bondage of marriage created great limitation of expression of the greater self, the warrior self, the death and rebirth self the divine ceremonial powers of spiritual leadership of tribe and clan of woman. In Latin its called nubere “to marry, wed” and most women scholars know that the subjugation of bondage a female culturally to marriage and children in the maiden stage, rather than the adult stage.
The great she bear shaman women had lost the ability to protect children, even though some of what was left of Callisto, her own attributes were given over to the Greek goddess Artemis such as the owl, the bear, the moon and the huntress of the great forest. Then she became a nymph who eventually faded away into a much later story called myth and fairy-tales.
Callisto was always the powerful Bear Shaman woman and her powerful medicines of healing, of fierceness when it comes to protection of clan and tribe, of boundaries and making sure children protected, her rituals and rites hidden away from the rising kingdoms couldn’t be hidden forever and then, eventually they were forbidden and then forgotten that women were even the majority of shamans in every culture on earth. Those of us who reemerged into our living memories (visions) and dreams of our greatest ancestresses, their magical wisdom and their connection to mother earth as an indigenous cultures of red, black, white, brown and yellow peoples are very slowly re-emerging.
The She Bear SAMI
In the shamanic folklore of the Sami and other members of their language group, such as the Mansi and Khanty peoples of Russia, there is a creation myth of a human woman is a bear and she was the wise elder of the Sami. Then later in the evolution when shaman women were pushed out, she marries a bear and the reindeer from there forth, takes more importance as the shamanic animal. The bear is the prehistoric connection and usually a divinity born of the Goddess Mielikki.
Mielikki is a Finnish Goddess of Forests and mother of Nyyrikki and Tuulikki, a central deity in the creation of the bear and the women of the bear ancestry. Mielikki is known as a skillful healer who heals animals through her women and she has given woman the wisdom of the healing herbs. Her name is derived from the old Finnish word mielu which means luck.
Bear worship doesn’t mean they worshiped bears as archaeologist as scientists suggest in their limited understanding about women and bear or how movies today can touch but do not understand the subtle souls we have. Quite contrary, bear in shamanism meant animism, where the woman has a human soul and a bear soul and can shape shift into either. Nature and woman were never separated from her beginnings and could do this. Now even the rarest and purist shamans on earth spend a lifetime reattaining their animism souls some consciousness.
Where the idea of worshiping animals or sacrificing animals come from? There was a period of time when early paganism still connected to the shaman cults certain had partial understandings, but that pretty much ended in the 3rd century bce. After that, certainty of humans falling asleep in a slow force of aggression and war that destroyed the indigenous, especially whites in the early years and by the 8th century almost all connection to previous indigenous whites were interfered with and at worse, corrupted.
In early Chinese and Ainu cultures, as well (Iomante) they too have Bear Shaman women, bear mothers as a creation story. Koreans in their folklore identify the bear as their ancestor and symbolic animal. According to the Korean legend, a god imposed a difficult test on a she-bear; when she passed it, the god turned her into a woman and married her. So much of the ancient artifacts, shamanic artifacts and archaeological objects of woman’s past, found over the last thousand years or two since writing was invented and woman was not allowed to learn to write or read, her story became a tool for power. Many mythologies which were women and goddesses were simply changed into male and the she bear was not immune to the change.
The She Bear HECATE
Hecate’s wheel is a symbol which represents a woman’s whole life, symbolized as the Goddess – Maiden, Mother and Wise Elder. This labyrinth-like symbol has it’s origins in Greece where Hecate is known as a Guardian of the crossroads, which is older in story than the evolved pagan goddess of magic, witchcraft and sorcery. Cross roads meant to keep the demons, shadows and dark ones in the underworld, not to play around with them, even if in this incarnation your in a healing or mystics journey.
Goddess of the new moon Hecate, huntress of demon souls and ghosts who roam the crossroads (the veil in-between this middle world and the underworld), and a Goddess who had small household shrines, erected to ward off evil, not to welcome them into your body or your space. She was a benevolent deity and thus the Christians and Pagans both turned her into a malevolent power. Those who heal as women, especially in their late 40s until their crone or wise woman stage see this very clearly through experience, not knowledge of whats been handed down to us about Hecate.
Hecate is honored each November 30th at the festival of Hecate Trivia. The word Trivia originally refers to the Latin term for a place where “three roads meet,” which is you in your mundane life, and the demonic soul of karma in the underworld and the veil in-between both. In Hecate’s symbolism at a higher level rather than personal, is the symbols of the Waking World, the Dreaming Worlds and the In-between Worlds (between both waking and sleeping). Her most important cults were those of the Island of Samothrake, where she was worshiped as Goddess of the Mysteries.
HEKATE’S TITLES (Bendis, Artemis, Vanth)
A′NGELOS (Angelos). A surname of Artemis, under which she was worshipped at Syracuse, and according to some accounts the original name of Hecate.
BRIMO (Brimô), the angry or the terrifying, occurs as a surname of several divinities, such as Hecate or Persephone, Demeter and Cybele. The derivation of Brimo from Bromos, refers to the crackling of the Fire, as Hecate was conceived bearing a torch which would make her serpent a purification, which is way past the stages healing.
CHTHO′NIA (Chthonia), may mean the subterraucous, or the goddess of the earth, that is, a protector.
PHERAEA (Pheraia). 1. A surname of Artemis at Pherae in Thessaly, at Argos and Sicyon, where she had temples. A surname of Hecate, because she was a daughter of Zeus and Pheraea, the daughter of Aeolus, because she had been brought up by the shepherds of Pheres, because she was worshiped at Pherae.
PHO′SPHORUS (Phôsphoros), Phosphorus also occurs as a surname of several goddesses of “Light”, as Artemis (Diana Lucifera), Eos and Hecate.
Goddess of Mystery meant the great teachings for millions of years were not shared with men and were taught by grandmothers. Dionysus cults corrupted and stole the great teachings through the weaker of the tree stages of woman: The Maiden. Then Apollo and Dionysus under the pagan men corrupted it even further with black sex magic with the maiden. It was then, the maiden then turned her back on the grandmothers and thus the mothers were caught in the middle and destroyed.
The older pre-pagan cultures were women cultures of fire and leadership, so the fire goddesses like Bendis, Vesta, Durga and Sehkmet were extremely important as an older archaic culture of prehistory and fell under the dark goddess realms. In classical sculptures, Hekate was depicted in one of two ways: a woman holding twin torches (light bearer Goddess like Thor or Uranus); or as three woman standing back to back representing the fates and the three stages of womanhood. According to Pausanias, Alkamenes who was the first sculptor to portray her in the Triformis style of his art. There is a good example of an Hekate Trimorphis in the Vatican Museum and also one in Antiquities Museum of Leiden.
Pindar, Paean 2, Greek lyric 5th Century B.C.E:
“It was the first of the month when this befell, and the gracious Hekata, was thereby sending us a message that was longing for fulfillment.” Offerings of fire were made to Hekate making her a Fire Goddess on the morning of the new moon and in some cultures on the full moon with moon cakes and fire (torches). According to fragmentary texts of the Chaldean Oracles, Hecate is connected to a maze which spiraled, connecting her to the serpent, but the mazes were associated with dances, not serpents.
Ancient women’s cultures included the symbolism of the serpent as healing, but this maze of Hecate’s was known as the “Stropholos of Hecate” or whats termed now as Hecate’s wheel, and what I call that ties it all together “Hekate’s Fire Wheel” referring to the leadership and power of woman in both knowledge and life and today, the Slavs and Balkans still have their fire wheels at the winter solstice in modern paganism.
Traditionally, the Hecate Maze has a Y in the middle, rather than the typical X shape found at the center of most labyrinths. Her wheel has been found in the 1st century c.e. on tablets, although there seems to be some question about whether the wheel shape itself as Hecate’s domain or that of Aphrodite, my intuition says they are Aphrodite because Venus/Aphrodite replaced all grandmother goddesses including Hecate.
Most of the classics link Hecate and Artemis Callisto together as Moon Goddesses, one a maiden and one a grandmother elder, one a new moon goddess and one a dark moon goddess, but there is a third linked and that is the Goddess Bendis, the Thracian Goddess. Bendis has a striking resemblance of Artemis who had already been acknowledged in antiquity, but to uncover the nature of this relationship, it is essential to compare Bendis with Artemis Mounychia, especially since their sanctuaries in Piraeus stood next to each other, likely not by accident.
In the Classical literature and in later traditions, Artemis was portrayed as a huntress; an amazon and wild deity of nature, a maiden. Artemis Mounychia, however, differed from this Classical image. The characteristics of this particular Artemis were in fact more similar to the Cult of the moon goddess: Hekate. Under the oriental influence, Bendis was often identified with Deities of the Night, namely Cottyto, Cybele, and Hekate. These deities were often associated with the life cycle.
On the island of Lemnos the worshipers of the Great Goddess of Lemnos (Aristophanes Women of Lemnos) practiced bear magic and was the connection between the Great Goddess of Lemnos and Bendis, traditionally accepted and documented by a depiction of huntress on a pottery shard from Lemnos from the archaic period. Bendis’s other names are Kotys (Thracian goddess), Cotis (Latin), Kotis (Greek), Ceotis, Ciotis (Romania) is a Thracian – Dacian goddess, venerated especially at the Thracian Edons, population that it is found between the Struma river and the Mesta river, in south Sofia.
In Antiquity they were stretched till Vardar river (Axios), but after the Macedonian expansion they were pushed to east, in Thracia. Strabon describes Cotis Goddess’ Cult as almost the same as Bendis goddess. He said that the Edons were playing some instruments that were issuing certain strange sounds, as thunders, caused by some big drums, probably, sound combined with some frantically strings accords, rituals as shamans, purifying their souls which is what the word Huntress means in Goddess languages.
As seen in the example of the Great Goddess sanctuaries, they are often ascribed to other female deities on the basis of similar characteristics and the dynamic nature of the cult of Bendis in Thrace. These sites are situated on the fringes of Thrace, in areas cohabited by peoples of both Greek and Thracian ethnicity. In Oisyme and Neapolis in the 6th century BCE, a small sanctuarymis dedicated to Parthenos, usually identified with Athena or Artemis. The situation is similar in the case of Artemis Phosphoros at Odessos, documented by a dedication to Phosphoros on inscription from the 2nd century to the 1st century BCE, and the presence of Phosphoros is also attested in Byzantion, where Bendis is usually identified either with Artemis and Hekate. On the other hand in Abdera, Bendis is associated with Hekate only.
The reason for their association with Bendis is that the cults of Phosphoros and Hekate were accompanied by torch-lit night celebrations, similarly as in the case of Bendis in Athens. The name Phosphoros means ‘light-bringer’ or torch bearer and is assigned to Artemis, Hekate and Eos. In the Inland Thrace the cult of Phosphoros was documented in Kabyle, one of the royal Hellenistic cities of the 3rd century BCE by an inscription dated to 300–280 BCE and unfortunately, the location of the sanctuary of Phosphoros still remains unknown up to present, but the iconographical typology is well known from the coinage minted in Kabyle.
The female deity does appear to hold a patera and burning torches that became one of the symbols of the city in antiquity. The coins minted by the rulers of Kabyle adapt this iconography, and while the cult of Phosphoros is usually identified with Artemis, some of the attributes could also belong to the cult of Bendis, in particular the double length torch which resembles a spear, the short chiton, and the patera in her hands. The torch races of the neighboring cult of Bendis also connected with the Festivals of Hecate. Another fact pointing toward the pre-Classic beliefs, is that the Artemis Mounychia sanctuary had always been linked to the cult of Brauronian Artemis, where young Athenian maidens served as She-Bears.
Nonnus, Dionysiaca (Greek epic 5th Century ce) : “Already the bird of morning was cutting the air with loud cries on the island of Samothrake already the helmeted bands of desert-haunting Korybantes were beating on their shields in the “Knossian Dances. Leaping with rhythmic steps, and the Ox hides thudded under the blows of the iron as they whirled them about in rivalry, while the double pipe made music, and quickened the dancers with its rollicking tune in time to the bounding steps. Aye, and the trees whispered, the rocks boomed, the forests held jubilee with their intelligent moving and shaking, and the Dryades did sing. Packs of Bears joined the dance, skipping and wheeling face to face; lions with a roar from throats mimicked the triumphant cry of the priests of the Kabeiroi, sane in their madness; the reveling pipes rang out a tune to honor of Hekate, divine friend of dogs, those single pipes, which the horn-polisher’s art invented in Kronos’s days.”
The Bear in many cultures is one of the very oldest relics of the Cave Grandmothers and later in the Artemisian cults of the grandmothers, having originated from their own Neolithic periods which were more connected with the nature, wild life, protection of life and healing and regenerative powers.
The maidens in Mounychia also similarly served as they did in Brauron, and this characteristic is what suggests to us the far older origins of this type of culture’s practice in Peiraeus, potentially preceding the Persian Wars. In Greek mythology, the Goddess Callisto or Kallisto was a nymph of Lycaon who was also transformed into a Bear, she was the Bear-mother of the Arcadians.
Artio is also called Dea Artio and Andarta all names that relate to or directly mean “bear” (Monaghan, 2004). One of the best known pieces of evidence relating to Artio is an engraved statue found near Berne, Switzerland. The statue depicts a seated female figure, generally thought to be the goddess, holding a basket of fruit, facing a bear who is standing in front of a tree; an engraving on one side of the statue says: “to the goddess Artio” (Green, 1992). A second find with in inscription was found in Bollendorf, Germany, and other evidence was in France (Green, 1992; Monaghan, 2004).
While the areas Artio has been found in could be considered Germanic, the name is Gallic, and She is generally described as either Germano-Celtic or Romano-Gaulish (I favor the former myself). Although the imagery of the statue is obscure and there is a lack of literary evidence, most agree that Artio was likely a goddess of fertility and plenty, and possibly a patroness of hunters as well as protector of bears (Green, 1992; Markale, 1986). Some also theorize that She was a more general goddess of the wilderness and wild things (Monaghan, 2004).
Sources agree that She was also seen in the form of a bear, with Sjoestedt placing her in the category of zoomorphic goddesses alongside Epona (Sjoestedt, 1949). It seems likely that the bear goddess, Artio, was eventually replaced by a bear god, Artaios who was synchronized by the Romans to Mercury (Markale, 1986). References: Sjoestedt, M (1949). Celtic Gods and Heroes, Markale, J., (1986). Women of the Celts, Green, M., (1992). Dictionary of Celtic Myth and Legend, Monaghan, P., (2004). Encyclopedia of Celtic Mythology and Folklore
MEROPE Sister of the Pleiades – The Bee Goddess who was really a Bear Goddess
Bears and Bees are linked together all over the world in waking life and in mythology and in the ancient Near East and throughout the Aegean world, bees were seen as a bridge between the natural world and the underworld. This links the Bear of the Caves (underworld) to an earlier time before the Bear Goddess was reduced to a Bee as part of the eradication of the power of the grandmothers of the bear clans of an earlier time before men lead community. Remember, men used language, the creation of language as a tool of destruction to reduce women’s role in to small and subservient myths. Bees were carved on tombs. The Mycenaean tholos tombs even took the form of beehives.
Winged, armed with toxin, creators of the fermentable honey, seemingly parthenogenesis in their immortal hive, bees were emblems of Potnia, the Minoan-Mycenaean “Mistress” older than Demeter, who might sometimes be called “the pure Mother Bee.” If ever it is doubted that Demeter and the archaic Artemis as she was honored at Ephesus were Hellenic embodiment of the Great Mother. It should be recalled that “Not only the priestesses of Artemis at Ephesus were ‘Bees’, but also those of Demeter”, as Jane Ellen Harrison noted “and still, more significant, the Delphic priestess herself was a Bee”.
The Jewish historian Josephus correctly noted that the name of the poet and prophet Deborah meant “bee”. The Homeric Hymn to Apollo acknowledges that Apollo’s gift of prophecy first came to him from three bee-maidens, usually identified with the Thriae. Pindar too remembered that the Pythian pre-Olympic priestess of Delphi remained “the Delphic bee” long after Apollo had usurped and reduced the ancient oracle and shrine to a drug laden experience with Dionysus. The Delphic priestess in historical times chewed a laurel leaf, Harrison noted, “but when she was a Bee surely she must have sought her inspiration in the honeycomb.”
Beekeeping was a Minoan craft, and the fermented honey-drink was the old Cretan intoxicant, older than wine. Ernst Neustadt, in his monograph on Zeus Kretigenes, “Cretan-born Zeus”, devoted a chapter to the honey-goddess Melissa. The proto-Greek invaders, by contrast, did not bring the art of beekeeping with them. Homer saw bees as wild, never tame, as when the Achaeans issued forth from their ship encampment “like buzzing swarms of bees that come out in relays from a hollow rock” (Iliad, book II). Long after Knossos fell, for two thousand years, the classical Greek tongue preserved ” honey-intoxicated” as the phrase for “drunken” and obviously the effects of the drug and alcohol cult of Dionysus and Apollo’s shadow influences.
The Thriae who offered Apollo the gift of prophecy were a trinity of pre-Hellenic bee-goddesses in the Aegean. The embossed gold plaque, one of a series of identical plaques recovered at Camiros in Rhodes dates from the archaic period of Greek art, in the seventh century, but the winged bee-goddesses they depict must be far older.
Merope is one of the Seven Sisters of the Pleiades and her name “Merope” seems to mean “honey-faced” in Greek, thus “eloquent” in Classical times, but surely at an earlier level her “face” was a bee-mask. Cretan bee-masked priestesses appear on Minoan seals. One of the mythographers recalled the tradition that “Merope” was the “bee-eater” in the old Minoan tongue, before the Hellenes came to the Aegean.
Orion was a suitor of Merope. His birthplace was Hyrai in Boeotia, an ancient place mentioned in Homer’s catalogue of the ships that set forth to fetch Helen home from Troy. According to Hesychius, the Cretan word hyron meant ‘swarm of bees’ or ‘beehive’. Like some other archaic names of Greek cities, such as Athens or Mycenae, Hyrai is plural, a name that once had evoked the place of “the sisters of the beehive.”
This name Merope figures in too many isolated tales for “Merope” to be an individual. Instead the “Merope” must denote a position as priestess of the Goddess. But surely Merope the “bee-eater” is unlikely to be always a bee herself. Though there is a small Mediterranean “Bird” called the Bee-Eater, which was known under that name to Roman naturalists Pliny and Aelian, this Bee-Eater was a SHE BEAR, a representative of Artemis. The goddess was pictured primitively with a she-bear’s head herself, and the bear remained sacred to Artemis into classical times.
At a festival called the Brauronia, pre-pubescent girls were dressed in honey-colored yellow robes and taught to perform a bear dance. Once they had briefly served Artemis in this way, they would be ready to be married. In later times, a Syriac Book of Medicine recommends that the eye of a bear, placed in a hive, makes the bees prosper. The bear’s spirit apparently watches over the hive, and this was precisely Merope’s role among the Hyrai at Chios.
BEAR GIANTS FROM THE LAND OF THRACE – Agrius & Oreius
When looking for woman’s prehistoric shamanic and animist origins, before the written language one must not only think backwards, but walk backwards through history visually, creating new sideways. So, lets go Goddess Bear Hunting, linking Hekate, Artemis and Bendis, along with the dogs of Hekate to the She-Bears – and the first one I come up with is Polyphonte (Πολυφόντη) a character in Greek mythology, being only a minor mythological figure the story of her life, contained in only one source, namely Antoninus Liberalis’s Metamorphoses.
Antonius cites Boeus’ second book, ‘The Origin of Birds’ as the source of the story, however Boeus’ entire work has been destroyed by the rising Kingdoms of men against the more powerful women’s traditions of the Dark Goddess.
The only ancient text left says that the She Bears are little girls, young maidens but that is not truth, for Bear medicine is one of the most powerful and dangerous and ceremony would have not allowed little girls to participate, only the adult mothers and grandmothers would have performed the bear rites and rituals. It was only later in these cultures when all power was taken away and the women were only figureheads, the original shamanic rites become festivals. People have forgotten that the white indigenous races were the first to be wiped out a few thousand years ago under the goddess cultures.
Agrius and Oreius were a pair of half-human, half-Bear Thracian Giants. They were transformed into Birds of Prey and their names mean “the Wild” (Greek agrios) and “of the Mountain” (Greek oreios). Their parents were a bear and Polyphonte (Antoninus Liberalis, Metamorphoses 21 (trans. Celoria) (Greek mythographer 2nd Century ce.) :
Thrassa was the daughter of Ares and of Tereine, daughter of Strymon. Hipponous, son of Triballos [epony of the Triballoi tribe of Thrake], married her and they had a daughter called Polyphonte (Slayer-of-Many). She scorned the activities of Aphrodite and went to the mountains as a companion and sharer of hunting of shadows (slayer) with Artemis.
Aphrodite, whose activities Polyphonte failed to honor, made her fall in love with a Bear and coupled with this bear. Artemis seeing her, turned all animals against her of her old shamanic cave ways. Polyphonte, fearing this, she fled and reached her father’s house. She brought *42 children, Agrios and Oreios, huge and of immense strength. They honored neither but scorned them all. If they met a stranger they would haul him home to eat. Zeus loathed them and sent Hermes to punish them in whatever way he chose.
As a side note, I found the 42 children interesting because there is a biblical quote from 2 Kings 2 24 which states – ‘There came forth two she-bears out of the forest, which probably had been robbed of their whelps, and thereby made more fierce and outrageous; and tore forty and two children — (this also signifies, not only young children, but also those that are grown up to maturity).” In this extraordinary punishment, inflicted on these young persons, we have demonstration, that the curse which the prophet denounced against them was not owing, as some have supposed, to the peevishness of his temper, or the ebullition of his anger: “For though his rage had been ever so furious, it would not have supplied him with power to command these creatures to leave the woods at an instant, and to come to a place they did not frequent, as a public road must be supposed to be, in order to destroy these insolent youths.”
As punisher, Hermes decided to chop of their hands and feet. But Ares, since the family of Polyphonte descended from him, snatched her sons from this fate. With the help of Hermes he changed them into birds. Polyphonte became a small Owl whose voice is heard at night, as she is a portent of war and sedition for mankind. Oreios became an Eagle Owl, a bird that presages little good to anyone when it appears and Argios was changed into the Vulture linking her to the Underworld and Artemis Hekate Bendis.
Their female servant was changed into a Woodpecker and as she was changing her shape she prayed to the gods not to become a bird that is evil for humankind. Hermes and Ares heard her prayer because she had by necessity done what her masters had ordered, so the woodpecker became a good omen for someone going hunting or to the festival feast.”
Joscelyn Godwin writes that the old and new are divided by the Moon or Polar Cult and the Solar Cult, that the polar cult survived classical times in popular religion and magic. The Greek magical papyri contains many spells addressed to the Great Bear (Ursa Major), for example…
“Bear, Bear, you who rule the heaven, the stars, and the whole world you who make the axis turn and control the whole cosmic system by force and compulsion, I appeal to you, imploring and supplicating that you may do the the (think I desire), because I call upon you with your holy names at which your deity rejoices, names which you are not able to ignore…”
BENDIS Matriarch of the Ancient Romanian Thracian Dacian
Bendis was a Thracian Goddess of the Moon, of the Forest, of the Hunt and of the Charms whom the Greeks identified with Artemis. By a decree of the Oracle of Dodona, which required the Athenians to grant land for a shrine or temple her cult was introduced into Attica by immigrant Thracian residents, and, though Thracian and Athenian processions remained separate, both cultures and festivals became so popular that in Plato’s time (c. 429-413 BCE) its festivities were naturalized as an official ceremonial of the city-state, called the Bendideia. Among the events were nighttime torch-races on horseback to show their Amazon skills, mentioned in Plato’s Republic, 328:
“You haven’t heard that there is to be a torchlight race this evening on horseback in honor of the Goddess?” “On horseback?” said I. “Will they carry torches and pass them along to one another as they race with the horses, or how do you mean?” “That’s the way of it,” said Polemarchus, “and, besides, there is to be a night festival which will be worth seeing.”
The Goddess Bendis, which Herodotus wrote “she is adored by the Thracian people, when women were the leaders, being borrowed from the populations at the north, who can only be the Dacians,” – the culture of this goddess was confirmed by the archaeological discoveries (a head of bronze found at Costesti, a medallion of clay, discovered at Sarmizegetusa, and a bronze bust from Piatra Rosie).
Bendis, daughter of Apollodoros 1347 where the name is spelled as Oendis, that could be restored as Bendis, daughter of Drogedous from the sanctuary of Nymphs in Bourdapa. All three inscriptions are probably from Roman times. It is within the context of this nearby culture of Artemis Mounychia that we may begin to compare and secondarily reconstruct the characteristics which the cult of Bendis may have had in Athens. From studying these sources, it appears that Artemis Mounychia was hence a deity of protection, one connecting women with the moon cycle cultures and one which represents bonding, not only of children, partners but the protection of human life and nature which is “fertility’ in its widest and most origin meaning.
The physical proximity of the Bendis temple to that of Artemis Mounychia, and the similarity of festival activities (such as the torch use in relation to the moon cycle) suggests a closeness in the orientation of these cults, one which is an essential consideration for any exploration of the cult of Bendis in a foreign context.
Bendis name is derivative from indo-european *bhendh, bond” and being of the eternal fertility, bonding is what keeps humans, their clans, races, and cultures together in the web of life of woman. From the 5th century BCE she was the culture of Athens in the ceremonies called “Bendideia” where there were 2 processions, one made by Athenians, the other by Thracians from Pireus. The Temple of the Goddess Bendideion, was situated on the Hill of Munychia. At the beginning of the second century BCE, a temple of Bendis / Mendis existed on the western shores of Hebru.Later, another temple is mentioned near Ptolemais, in Egypt. Her cult was also present in Asia Minor-Bithinia.
On small statues and reliefs Bendis is represented wearing Thracian clothing and sometimes she has a spear in the left hand and a sacrificial cup on the right and on some coins she appears with 2 spears and a dagger, or with 2 torches, or a torch and a patera. She was identified with Artemis or Hecate. Some Romanian scientist believe she was the wife of Hercules from Thracian legends. The Thracian’s were an ancient ethnic group that inhabited most of what is today called Bulgaria.
Her cult survived during the period of Roman occupation, in the form of Roman Goddess Diana. The name of Diana can be traced in the Romanian words zana, sanziana (Sancta Diana) or cosanziana (Quo Sancta Diana). The Romanians of ancient (Thracians) called her Queen Hestia and her apprentices, were fire worshipers of the entire Thracianarea, from the Baltic Sea to the Mediterranean Sea, the Dnieper beyond Tisa, where she appears even in Vespri City. “Thrace Mare” Geto-Dacian was since their beginnings, a peoples linked to this ancestral hearth of the Goddess. During the matriarch (around 1900 BCE), the head of the family were women, Gauls appear as independent people led by Queen Hestia. She held ritual worship of the sacred fire at the royal residence in the city of the Traco-Dacian.
Fire generally was maintained day and nigh and even the name Dacia, if etymologically discussed by researchers, have linked Bendis like Hekate with the cult of Fire and with fire in general, around which life carries the first tribal matriarchal society and then patriarchal and lastly royal.
In the Law of Manu, the Indian Daksa was the name of a god, Dachsina which means holy fire ceremony. Dacia was the country of the sacred fire, and the fir is generally honored locally. In connection with fire worship, ancestors were honored with a “River of Fire” in the village Comanita, of the Olt county. The matriarch Bendis, which initially the Queen of Thrace who after her death became the a Goddess. In the Lexicon of Hesighyos of Alexandria (c. V or VI), we find recorded:
Aristophanes says Bendis is a Thracian Goddess and that she was a Queen of the Amazons before Hestia (Vesta). Her names were Artemis Thraci; the Athenian Goddess and part of the Bendis celebrations. She was also Artemis Thraci, the ‘Great Goddess’ which carried out its activities around the Sacred Fire which was an act of prophecy (not the vapors). The Goddess Bendis also appears “symbolically embodying the woman warrior who has a tree branch (not olive) in her left hand and one branch in the other hand.
Daicoviciu Hadrian writes that Bendis was “the feminine divinity Dacian and Thracian Goddess of the Moon, the Forests and Charms”. Fire meant Heavenly Sun Worship and the Sacred Fire meant Moon Worship, which has survived until today, especially as the root of all pre-pagan Summer Solstice Festivals that have a bonfire. All counties Daco-Romanian carved sun appears as the Goddess of the sacred Fire. Daco-Romanian culture retains many vestiges of their matriarchy periods.
In Acau, Moinesti “a sanctuary was discovered a ritual complex consists of 21 female statuettes kept in a pot”. Of these, 15 are larger and placed on one “throne clay” and six figures “smaller without thrones and scenery.” They are called “The Goddess Council which represents the elder Grandmother Leaders”.
A “Great Goddess” was found in Trufesti in Botosani County, as in other parts; it was dated around 3000 bce and added to this, the statues of clay, “including a female deity embodying the cult of fertility and the wealth of the culture” discovered at Libcova, Caras Severin, clay figurines (today Dunareni), Dolj County, medallion clay with the image of the goddess Diana-Bendis. Vasile Parvan said that “the feminine deity was worshiped as Hestia heralded” meaning a high goddess of loam and nourishment (fertility) existence in Dacia “even before the arrival of the Iranians”.
Added to this,the statuesofclay, “including a female deityembodying thecult offertility, thewealth” discovered atLibcova, Caras Severin,clay figurinesofmeat(todayDunareni), Dolj County, medallionclaywiththe imageof the goddessDiana-Bendis. Great Goddess Bendis dealt with destiny, like the Fates and the Indo-European root bhend teonimului means to”tie” or “bend”, hence the Anglo-Saxon word or Germanicia binden bind, which was attributed to fate and in the shamanic cultures back then it would have applied to the she bear (shaman women). For binding is an old action of huntress in the form of shadows and the underworld and we know Hecate, Bendis and Artemis are bound as Huntresses of the Moon and not in the way later societies changed their shamanic warrior women origins. It is likely that after the conquest of Dacia Romanian, Bendis has been assimilated by the goddess Diana (Artemis in Greek). The cult of the goddess Bendis was taken over by the Greeks, becoming the state cult in Athens since the fifth century BCE.Today called Kastella, later, after the second century BCE we can find a temple of the goddess on the western shore of Hebra, in the Balkans. Her cult is attested in Asia Minor, specifically in Bithinia, or even in Ptolemaic Egypt. The reliefs and statues of the goddess Bendis is represented wearing robes and cap trace trace (Phrygian Phrygians were Thracian) and sometimes she has a spear in her left hand and a cup in the right. On some coins, it appears either holding two spears and a dagger or two handles or a torch and a patera.
Image above: Winged Vanth, relief Etruscan, end of the 4th century B.C.E. – High relief with winged female figure (Vanth). – Nenfro, height 94cm. Found at Tuscania, grave of the gens Vipiana. Florence, Museo Archeologico.
VANTH Shaman and walker between the worlds
Vanth was certainly misread and miscategorized, she was in the Etruscan mythologies in tomb paintings. What men never understood, and then when writing dissertations and historical accounts of ancient women, was that power meant dark goddess, strength in a divine way meant dark goddess and Vanth certainly falls under this category.
Tomb raiders and tomb scholars see these Goddesses as women who are like nurses today, that they took care of the dead… not so, the elder Grandmothers job was not to be responsible for the “physical” of dead but the ceremonies of endings in a shamanic ritual and rites. Many reasons there is art remaining in the funeral vaults was the taboo that great dishonor would fall upon them if they removed or destroyed these ancient goddesses. Today the rebels do the finishing jobs of destroying the physical, but the soul of this art was destroyed long ago.
Vanth is a female Guardian of the Underworld (not a demon) just like Hecate. A guardian was a shamanic term that meant the shadows were kept in the underworld and the living did not cross into the underworld unless they die and return to the place where karma exists. Karma did not always exist or exists in cycles, so the underworld at periods of time was not an appropriate description for dark goddesses. When the wars of the Kingdoms began to rise around 2500 bce, then the underworld could be linked with the living and the karmic dead. The grandmother cults made sure there would be no escaping of the shadow aspects of the living. That has long been eradicated when grandmother was forbidden to lead.
These were powerful chiefs of the Etruscan’s and associated with powers over both life and death, the underworld that is often accompanied either by additional Vanth figures or by another so called demon, Charun (later referred to as Charu). Both Vanth and Charun and what was left of their iconography after 400 BC, in the middle period of Etruscan art was hardly anything, although some earlier inscriptions mention her name but like all powerful grandmothers, they were removed and taken out, and certainly the same is true of Vanth and one who has no direct counterpart in Greek mythology by scholars, but by shamans, Artemis, Hekate, Bendis are all her counterparts.
She has been compared to the Greek Furies and like all real dark goddess elders, they are both benevolent and avenging. Her other attributes just like Hecate includes the possession of her sacred Torch, a key (or scroll), and she is shown often to be bare-chested with cross-straps across her breast,like Artemis, adorned with fur boots, a rolled short chiton. In fact her dress has been attributed by Scheffer as specifically the dress of the Huntress of the Moon (exorcist and demon slayer) which men’s religions wrote in the ‘rising’ writing languages as the opposite, a demon herself.
Vanth is involved in a variety of different types of scenes in Etruscan art; the most common types associate her presence with occasions of Huntress (slaying demons, slaughtering men who abolished nature and disrespected and murdered women in their sacred Temples), including scenes from the Trojan cycles. Occasionally she is shown rising up out of the ground in such contexts, as seen on an ash urn from Chiusi and sometimes she is even shown as a solitary figure decorating the sides of ash urns. Other scenes in which Vanth is present involve the meeting and escort of the dead (classic and traditional shaman women’s roles), and the role of the shaman pychopompos, who walked between the worlds.
Vanth is associated with death and the journey of the deceased to the Underworld, and the dark souls who roam from the living dead, she is present in scenes of the moment of death as well in scenes where the deceased is already fully dead and journeying to the Underworld. She is depicted as a benevolent psychopompian figure, in contrast to the menacing Charun, her sometime companion.
The materials that Vanth is identified as carrying, which include a torch as the torch can be used to light the way for travelers when they face darkness and it is a status symbol of a Holy Woman (goddess) and n indication of high ranking office (of the Grandmothers [elders]). Although all scrolls only apply to patriarchal written languages, they do stand as a symbol for the older dreaming cultures of Vanth, pre-history of wisdom of woman’s teachings of such matters of shamanism. After all, the Bird Clan (angel or wing depicted women are 95% sacred and holy).
BLACKFEET BEAR WOMAN
I was going to copy and share here the Blackfeet Native American’s bear woman story but they do not allow one to copy the text, so here is their page about their legend of bear woman:
Awakening Bear Symbolism Sun Action Spring/Summer Lightness Extroversion Conscious
TEMPLES OF HEKATE HECATE (Cultures)
Hecate’s Temple in Lagina in Turkey:
Carved Stone Relief from the First Century BCE at the Vatican Museum in Rome, depicting Hecate using torches in battle to save her Temple against the rising Patriarchal Men who were taking away all of women’s rites and eradicating the Dark Goddesses (Wisdom & Wise Grandmother Cultures) – (permissions: photos.com):
Crowns on statues were Dark Goddess Elders, here is Hekate (taken down from her original temple and put into the Vatican vaults for thousands of years), now in the Museum: